annathepiper: (Alan YES!)

Hey, look what I found! Video clips of the Les Charbonniers de l’Enfer concert, from the album I was posting about before! \0/

This one is “Yes Very Well”, the second part of Track 10 on En personne, where it suddenly turns into an entirely different and MUCH MORE LIVELY song. The gent singing lead on this is roaring out those lyrics, and now that I can see he’s a skinny rake of a dude, I’m all the more impressed by the force of his voice! It’s this specific song that, the first time I listened to the album this past weekend, made me go HOLY CRAP, they are much, MUCH better live than in the studio, and they don’t suck in the studio.

And this one, right here? This is what I mean when I say that there’s just something absolutely pure and primal about Quebecois mouth reels and podorythmie, making music with nothing more than your mouth and feet. That video is “Les Turlutes”, track 16 on the album! Look for the podorythmie stomp-off about three minutes in.

And now I can tell that one of their podorythmie guys must be one of the two of them who used to be in La Bottine Souriante. I am almost certain that the guy in the left-hand chair (left from the viewer perspective) is the one who was singing lead when La Bottine Souriante performed at Chateau Ste. Michelle back in 2000, the first time I ever saw Great Big Sea in concert. So he’s either Michel Bordeleau or André Marchand. Either way, he TOTALLY pwns the guy in the other chair, in the stomp-off in the second video.

Some brief audience reaction shots in the second vid, too, show that the audience is clearly getting into it, and there’s a bit of Quebecois-style vertical movement going on there. Or given that this is Quebecois music, maybe le mouvement vertical! I very, very much want to see these gentlemen perform in person now. I may fangirl all over Great Big Sea and Le Vent du Nord for having pretty pretty bouzouki players, but if you’re bringing it hard enough? You don’t have to be pretty.

And these gentlemen are bringing the HELL out of it. Well done, messieurs! XD

ETA: More videos! Sur la Vignelon, again from the same live concert. And also, Au Diable Les Avocats, which appears to be their official video for this particular song.

ETA #2: A bit of judicious Googling has educated me that in fact, both of the podorythmie guys in LCE are the former La Bottine Souriante members! And, in fact, the guy in the left-hand chair has got to be Michel Bordeleau, since from what I’m seeing on the French Wikipedia page for the group, André Marchand was no longer in the group by the time I saw them perform. Plus, that’s clearly Michel’s voice in “YoYo Verret”, the track I love the most off the old LBS album Rock and Reel, a.k.a. Xième! He’s also the one described on LCE’s current site as having “dangerous podorythmia” and they are NOT LYING. \0/

Mirrored from annathepiper.org.

annathepiper: (Blue Hawaii Grin)

This being another post actually written while I was on hiatus, but I wanted to get it down while it was fresh in my mind!

So as y’all know I have become very fond of Quebecois music, and I have no fewer than four bands I’m following: La Bottine Souriante, Le Vent du Nord, La Volee d’Castors, and Les Charbonniers de L’enfer. This last group are the ones who are entirely a capella, specializing in the mouth reels and podorythmie that I love so much about music from Quebec, and they ALSO have two guys who used to be in La Bottine Souriante, so a couple of their voices sound very familiar to me.

I’ve snagged their one live album off of iTunes, and I’m tellin’ ya, people, they are way better live than I expected after listening to their first two albums I’d bought! They are so much more vigorous in live performance that I was entirely blown away by several of the tracks. They have a couple on this album where they’re roaring out the lyrics–or in the case of one track, tearing through the mouth reels at unbelievable speed. And, AND, if my poking around on Google and on their website is any indication, they have two guys doing the podorythmie, not just one.

The album is called En personne, and for those of you with iTunes accounts, I highly recommend checking it out. For those of you not iTunes-inclined, I was also able to find this site here which appears to be for a chain store in Quebec. They can’t sell MP3 downloads to customers outside Canada due to copyright restrictions, but they DO have listenable samples–and they will ship CDs to US customers. Their page for the album in question is here–AND there’s ALSO a DVD!

Check out the samples for tracks 4, 10, 13, and 16 in particular, wherever you check it out. iTunes has longer samples than the Archambault site does, enough to give you a feel for how LCE sound live, though the really good bits of tracks 4 and 10 are towards the end so you may not get those in the samples. Track 16 is ALL mouth reels though and goddamn, it is awesome. XD

I am totally ordering this thing on my next paycheck. I have got to see the video that goes with this concert, especially if they have two guys on the footwork.

AND AND AND they also have a boatload of La Bottine Souriante albums I’m going to be ordering–five of ‘em I’m missing, and I’m particularly interested in the more recent ones since LBS have had a significant shift in members over the last few years, so now they sound rather different than they did when I saw them perform way back in 2000 along with GBS at Chateau Ste. Michelle. What particularly amuses me, now that I’m actively fangirling Le Vent du Nord, is that the lovely Monsieur Simon Beaudry has a brother who’s in La Bottine Souriante now! ;D

And speaking of Le Vent du Nord, that site also has the one remaining LVN album I don’t have yet–a recording of a live concert they did along with the Quebec Symphony Orchestra, which was apparently not widely released, since it’s not on iTunes along with the rest of LVN’s albums. I am totally ordering this, too.

I really need a proper icon for Quebecois music now! Stompyfeet, that’d be the ticket. :D

Mirrored from annathepiper.org.

annathepiper: (Alan and Sean Ordinary Day)

Before I go on Internet hiatus next week, it is only just and appropriate that I give some blogging space to my very first PAX this past weekend!

Read the rest of this entry » )

Mirrored from annathepiper.org.

annathepiper: (Bouzouki Fandom)

I may not have reached GBS levels of fangirling with these new boys from Quebec, but Le Vent du Nord have done something only GBS has seriously been able to do before: they’ve gotten me to pick up my instruments and try to play along, especially now that userinfospazzkat has gotten Apple TV working on our big TV at home. This means I can bring up YouTube videos on my iPad and channel the right onto the TV, which is super cool.

Because it means I can do things like watch this video or this one of Le Vent du Nord, and try to pick apart the songs they’re playing and see if I can do it too!

“Laniaire” is currently my favorite LVN song sung by Simon Beaudry, and he’s very easy to follow on the melody line in that–I picked out the melody pretty quick, just by whistling the first couple of notes into a tuner to get the starting pitches and then picking up the piccolo to get the whole tune. But Simon’s capoed on his fifth fret in that video, and based on what the piccolo was telling me, I was fairly sure the key was G minor.

Which gave me a bit of a fit. I had to backtrack down the neck to try to figure out what key’s chords he must have been playing in order to wind up in G minor, and that told me he’s playing chords in D minor. Which, for a fairly beginner-level guitarist like me, is CRAZYTALK. D minor has never been my friend. Fortunately, capos are mobile! So I capoed on 3 instead of 5 and instantly got a set of chords much better matched to my skill level. I love you, E minor. (heart) (heart) (heart)

(ETA: D minor, not C minor like I’d originally thought. I forgot about the frets going up by half steps! See what I mean, people? Beginner-level guitarist.)

Now, though, the trick is to try to work out the actual changes. I’m not as comfortable with minor chord progressions as I am with major ones, so I’m going to have to step through this song slowly and see if I can figure out what Simon is doing based on what’s described here. Also, any guitarists out there want to chime in on basic progressions I should get to know for purposes of Celtic-flavored music, by all means, please do!

Meanwhile, “Cré mardi” is my favorite LVN song sung by Nicolas Boulerice, the hurdy gurdy player, so far. This thing’s in G, which is about as friendly a key as you can get. I was able to more or less pick out the first half (where they’re all doing call and response vocals) on the piccolo; the second half is harder, where they’re going into the mouth rhythm and Olivier Demers is echoing them on the fiddle. The tune is called “La turlette du rang des Sloan” according to the album this song comes from, but Googling for that basically gets me hits about that exact track on that exact album. TunePal doesn’t know it either. So I guess I get to figure this thing out the way a proper traditional musician should: BY EAR. ;) Fun!

Also, as soon as I can figure out how to say “my fandom plays bouzouki” in French, I am totally going to have a Simon icon. Possibly also Nico, because the hurdy gurdy is AWESOME. And very possibly also Olivier’s stompy!feet, because that’s +20 to Awesome on top of his being a fiddle player. \0/

On a final (not related to Le Vent du Nord) note–HA, I have in fact managed to get “Banish Misfortune” into my brain enough that I can stumble through it without consulting Matt’s PDF of session tunes! Now if I can do this again on my octave mandolin, that’d rock.

Mirrored from annathepiper.org.

annathepiper: (Bass Murray)

People, I am experiencing a potentially life-changing event here. I ain’t up to GBS levels of fangirling on Le Vent du Nord quite yet, but those lads from Quebec now very well and thoroughly have my attention, and it’s very significant that at an earlier point today, the number of LVN fan videos I’d added to my YouTube playlist had in fact outnumbered the Great Big Sea videos!

And that, my friends, is pure crazytalk. The lovely Monsieur Beaudry is laying down a very, very compelling case. But this is THE HONOR OF THE DOYLE at stake here. So I put out a call on Twitter and Facebook and Google Plus for people to hit me with their favorite GBS vids on YouTube–and I now repeat that call here! Link me up with your favorite Great Big Sea vids, people! Bonus points if they’re from shows I actually attended!

Remembering that userinfoangelina_zooma had pointed me at a vid of hers I’d never looked at, I finally looked at that tonight. And I gotta tell you, you have never heard “Cod Liver Oil” until you have heard it performed by Murray Foster. Behold!

And for the record, yes, C minor IS the key of someone who’s been drinking until five-thirty. ;>

Mirrored from annathepiper.org.

annathepiper: (Bouzouki Fandom)

Now I totally need me a French version of the My Fandom Plays Bouzouki icon.

Because yum, oh my, and hell, he even looks good just HOLDING the bouzouki. Fortunately, he can also PLAY it:

Furthermore, it must be said that damn, that boy’s voice is pretty too:

Also, this pic of the pretty Monsieur Beaudry and his colleague Monsieur Demers on the fiddle TOTALLY wants a caption. I love that look on Olivier’s face. I’ve seen looks like that exchanged between The Doyle and the McCann!

Mirrored from annathepiper.org.

annathepiper: (Loving You Guitar)

Le Vent du Nord, who take over as my official Second Favorite Band. They narrowly, narrowly beat out La Volee d’Castors on the grounds that:

  • Simon Beaudry is gorgeous, and as previously noted, I have a marked fondness for cute dark-haired bouzouki players! (Note: yes, I am aware he’s holding a guitar in that picture. I have not yet found a suitably pretty picture of him with a bouzouki. Being imaginative, I can extrapolate!)
  • LVN actually seem to periodically do US shows, if their tour calendar is any indication. Which means there’s an off-chance I might actually get to see them perform if they ever head out this way, and if they do, I am ALL OVER THAT.
  • LVN’s website has an English edition as well as a French one. LVC’s website currently does not, and while I can still kinda poke my way around theirs and make reasonable guesses about what’s what, a coherent full English site is still more helpful.
  • LVN also provide lyrics on their website. While I speak only a meager handful of phrases in French, I can at least use the French lyrics to read while I’m listening to the songs, which can let me start to try to parse them as words, as opposed to “lyrical nonsense being sung by guys with sexy voices”! The English lyrics provided are spotty at best, and are clearly the half-assed output of a translation engine, but they are at least enough to give me a half-assed idea of what various songs are actually about.
  • Nicolas Boulerice has a hurdy-gurdy, and Unusual Instruments FTW!

Now, all this squeeing aside, LVC are still very, very close behind the gentlemen of LVN, on the strength of their music alone!

And I fear that Carbon Leaf has now slipped to fourth place. Sorry, lads! (I do however resolve to check out CL’s forthcoming live album/DVD set, and show them some love too.)

Mirrored from annathepiper.org.

annathepiper: (Musical Jack)

userinfosolarbird and I have been doing this thing for the last several weeks where we go to session only every other week–and use the off-week as a practice night. Meanwhile, I’ve shifted from taking the General to session to taking my piccolo instead, and focusing on learning the actual melody lines for various tunes.

This is working out pretty well! I can only play five or six tunes semi-reliably–by which I mean, I can actually play “Si Bheag Si Mhor” by heart, and about five others if I’m reading the sheet music at the time. I ALMOST have “Banish Misfortune” down by heart but the C part is still eluding me. What this tells me though is that by practicing, I CAN learn these things. And it gets noticed in session, too! Once you start showing up and being able to play the tunes, you get significantly more cred, even if you’re still pretty much a newbie like me.

Right now I’m focusing my efforts on the handy dandy PDF session leader Matt gave me, with about 25 tunes he’s fond of and considers a good introduction to sessions in general. From that, I’ve been working on “Banish Misfortune”, “Road to Lisdoonvarna”, “Morrison’s Jig”, and a bit of “Blarney Pilgrim”. Although I haven’t actively practiced them yet, I can also whip through “Kesh Jig” and “Foggy Dew” if I’m reading the PDF.

Meanwhile, I’ve got TunePal on the iPad and I spend a good chunk of session these days just listening to what the others are doing–and seeing if TunePal can figure out what the tunes are so I can save ‘em for later exploration. Half the time, the app has a pretty good idea of what it’s hearing. If it wibbles and has no goddamn idea, I’ll just ask! Then I can look it up manually. And once you have a tune in the app, you can make it play it for you, adjusting the tempo if you need to. It’s a GREAT learning/reference tool for session newbies. Highly, highly recommended if you have an iPad.

Last night’s session in particular was relaxed and groovy, with just me, Dara, Matt, and a couple new folks Dara and I hadn’t met before, a woman who played fiddle and mandolin and a guy who played guitar and bodhran, and from them I picked up a couple more tunes to add to TunePal for later investigation: “The Yellow Tinker” and “The Frieze Breeches”. Plus, I had to giggle and giggle at one particular wibble TunePal had trying to identify tunes–when it offered me “Whiskey Makes You a Lunatic”. Which had NOT A GODDAMN THING to do with what was actually being played, but the title alone made me LOL, so I had to add it to my list.

And to tie back to my French Canadian fangirling post, I’ve also decided I have designs on learning “The Jig of Slurs”, “Irish Washerwoman”, and “Atholl Highlander”, which make up the “Fortierville” set that’s track one on La Volee d’Castors’ kickass live album. It’ll be approximately oh, I dunno, EIGHT YEARS before I’m able to play that set nearly as fast as they do, but TunePal helpfully provided me the sheet music to each. I’m armed. I’m dangerous. I HAVE A PICCOLO. BRING IT.

Mirrored from annathepiper.org.

annathepiper: (Nethack Lolcat Eated It)

It has amused me for a while now that in the vast repertoire of tunes available to Irish musicians, several of them have vaguely SF/F-nal names, like “King of the Fairies”, “Queen of the Fairies”, and “The Elven Cloak”.

That last one in particular, though, got me thinking of Nethack thanks to my propensity for playing Elf characters. Which, of course, led me to wonder about other hypothetical Nethack-themed Irish tune names! Such as:

  • The Surly Shopkeeper
  • Farewell to My Pet Cat
  • Gold in the Bag of Holding
  • The Cursed Loadstone Lament
  • The Polymorph Trap Jig (this one would definitely change keys AND time signatures between the A part, the B part, and the C part)
  • Yet Another Stupid Death Reel
  • The Elven Boots
  • The Infravision Jig
  • Izchak’s Magic Lamp (That I Stole in Minetown)
  • The Vibrating Square
  • The Lich That Cursed My Broadsword
  • Road to Gehennom
  • Drowsy Maggie Needs Sleep Resistance
  • A Luckstone to Banish Misfortune
  • The Succubus Washerwoman

Anybody got any others?

Mirrored from annathepiper.org.

annathepiper: (Minor Key Major Songs)

Hey, Seattle-based peeps! My belovedest userinfosolarbird, in her auspices of Crime and the Forces of Evil, will be doing her very first bar-type show at the Cafe Venus/Mars Bar tomorrow night! She will be playing along with Natalie Quist and Gimmie a Pigfoot, and I’ll be there to provide merch support.

(Yes, you heard that correctly, I will be in an actual bar on an actual Friday night. But with my belovedest performing, hey, it’s worth it!)

Music starts up at 9pm and there will be a $6 cover charge. There will also very likely be shenanigans, and definitely rage-driven acoustic elfmetal. You should all come listen, and furthermore, buy her album while you’re at it. And if you see me, say hi!

Mirrored from annathepiper.org.

annathepiper: (Minor Key Major Songs)

I’ve been total Scattershot Girl when it comes to blogging for some time–like many, I’ve found most of my day to day online communication shunted over to Twitter and Facebook. But that said, I’ve had several recent lovely things happen that are worth sharing with you all in longer, blog-based form. So! In no particular order:

  • Finally saw The King’s Speech, since userinfospazzkat got it via Netflix. That was a very satisfying film, and I’m not at all surprised that it’s spawned so much fanfic across my various Friends lists and such. Everyone in that film did an amazing job, and I have much increased respect for Mr. Colin Firth now. Also, mad love for the scene where the speech therapist’s wife comes home and discovers the King and Queen in her dining room. :D

  • Also, as of today, finally saw Source Code with userinfosolarbird. Mad, mad props to userinfomamishka for recommending that! It’s a nice, tight little SF flick, and if you like alternate-reality type plots, try to catch this before it vanishes entirely. If you’re local to Seattle, it’s still playing at the Meridian 16 downtown, and it’s running at the Crest as well.
  • I have finally found a way I might actually read more comic books: the Dark Horse comics app for the iPad. I installed this on the grounds that a couple weekends back, Dark Horse had a sale of all its digital versions of Serenity and Firefly comics. Since I didn’t have Shepherd’s Tale yet, I thought what the hey, I’d buy ‘em all. The iPad is definitely more suited to digital comics reading than the iPhone, that’s for sure, although the iPhone does actually talk to this app as well.
  • Also on the iPad, I have a shiny new app called TunePal, recommended to me by Marilyn, one of the fiddle players who attends the weekly session userinfosolarbird and I have been going to. Those of you who know the Shazam app will find the way this works familiar; it basically identifies songs. But in this case, it identifies traditional Irish tunes! You can play them at the app on an actual instrument, or, it’ll identify ‘em if you’re playing them in iTunes as well. Then it goes out and hits up a big ol’ database and yoinks back several guesses as to what it thinks you just played it. It’ll show you sheet music for its guesses, and it’ll play the sheet music for you as well. And, you can add tunes out of the database manually by searching for them as well. You can’t import your own tunes, which is my only complaint about the app, but it’s otherwise very, very cool. Any of my fellow music geeks out there who are interested in trad tunes, you should be checking this out.

  • Speaking of the iPhone, my coworker Joe pointed me at my new favorite iPhone game: Tiny Wings. You play a birdie with, of course, tiny tiny wings, and the object of the game is to get the birdie to fly as far as possible by tapping. It’s super-cute and only 99 cents, so check it out.
  • FOLKLIFE! Well, that deserves a whole separate post, but I’m noting it here anyway.
  • And while I am still technically on book buying hiatus, I’ve picked up a few freebies. And I will unrepentantly, UNREPENTANTLY I TELL YOU, break hiatus wide open to buy userinfoseanan_mcguire/Mira Grant’s Deadline this week. Because GIMME. Seriously.
  • My friend userinforavyngyngvar is sending me a Blu-Ray of a-ha’s last concert in Oslo! Thank you, Yngvar!
  • I am sorely behind on Doctor Who posts, and will shortly be doing a catchup post. It’s an indicator of how much I’ve not been paying attention to the net lately that I totally missed that BBC America did NOT air the second half of the two-parter on Saturday, to wit, bah. I did not however give enough of a damn about this to actually try to find and download the episode; it’ll air next week as far as I know, and I can wait that long. Especially given that we’re about to have the mid-season hiatus anyway. Just nobody spoil me, mmkay, those of you who’ve already caved and downloaded the ep anyway?
  • And because it’s always worth saying, mmmmm blackberries of my marketboys mmmmmm.

Mirrored from annathepiper.org.

annathepiper: (Aubrey and Maturin Duet)

Writing this now since I haven’t had a chance or the brain to blog about it until this afternoon, but here we go!

There were a couple of extra fiddlers at this past Wednesday’s session at A Terrible Beauty–people who turned out to be stunningly awesome, a couple of professional performers, Andrea Beaton and Glenn Graham. What really sold me on Andrea and Glenn’s playing was its liveliness and the excellent foot-stomping rhythm they had going at the same time–very, very familiar to me from all the listening I’ve been doing to La Volee d’Castors and La Bottine Souriante and Le Vent du Nord. It turned out that the reason their music resonated so strongly with me was because they are in fact Canadian, Cape Breton specifically, so no wonder. :D

I’d already been pleasantly challenged trying to keep up with Matt and Annie, as I’ve written before–but trying to keep up with Andrea and Glenn? WHOA. WHOA AND DAMN, people. I’m just this fortysomething chick who likes to noodle around on her guitar in her living room, y’know? And there I am in the session trying to provide a decent rhythm line underneath two hardcore fiddle players, who, I might add, proceeded just last night to go perform with Matt at Benaroya Hall for the Mastery of Scottish Arts concert.

I have been in sessions now with people who have performed in Benaroya Hall, people!

Only by focusing with laser-guided intensity on every motion of Glenn and Andrea’s bows was I able to keep up, and more than once, I lost track of their key changes. But I was at least able to come back around when they jumped back to a key I could recognize. A lot of what I’ve been doing at the sessions so far has just been playing the same six or seven chords in different keys and strum patterns, just trying to be decent rhythm backup for all the people who actually know the tunes. But these two took it up a whole extra order of magnitude for me, and I haven’t had so much fun on a guitar in ages.

Afterwards a couple of older gentlemen came over to say hi to Dara and me, and to admire the General! I got asked what kind of Taylor it was, and I was happy to say it was a 210, and I thanked the gents nicely for the kind things they said about my playing. I also went over to Andrea to make a point of telling her how awesome their playing was, and she was very gracious too.

I am so, SO outclassed at these sessions, it’s kind of scary! But in a good and exciting way, one which is making me go OH SHIT I’d better practice. So this afternoon I whipped out the piccolo, worked my way through an octave of scales, and then tried to stumble my way through “Road to Lisdoonvarna”, “Morrison’s Jig”, and “Drowsy Maggie”. I made it through the first two, more or less, before my embouchure fell over and started sending me “you haven’t played piccolo in a long goddamned time, have you?” signals.

I’ve also gone through my songbook and yoinked out the little sheet music bits of the various tunes GBS have used as bridges on their songs, in the hopes that I can then track down fuller versions, and use those for practice fodder. I have “Si Bheag Si Mhor” too, along with “Fisherman’s Frolic”, which those of you who read the TGM Jam Reports may remember as our outro to “Acres of Clams”. I have a LOT of source material to learn from. And it’s awesome to be able to have a reason to use it.

ETA: OO OO OO and I forgot to mention that when called upon to do a song by Matt, I stood up and did GBS’ arrangement of “The Night Pat Murphy Died”. *^_^*;; I cannot roar it like Séan McCann does and I really need to learn to project, but at least I managed to go through the whole thing without falling over. And when I went DARA, Dara whipped into the bridge on cue; she’s been practicing the Bitchin’ Bouzouki Solo.

Another practice assignment I want to do is to see if I can whip up a proper version of “As I Roved Out”; the arrangement I’m most familiar with is the one by the Fables, but I can’t sing it in their key so I’ll need to finagle it some.

Mirrored from annathepiper.org.

annathepiper: (Blue Hawaii Relaxing)

I hadn’t really said as much on this journal, but I was on an unofficial book-buying hiatus through most of January, trying to take the opportunity to get caught up on reading the books I actually already own (wacky concept, I know). This got thrown off track though yesterday, since I was feeling down about getting a rejection letter–so I decided on emergency bookstore and walking therapy, by way of coping.

Therefore, picked up in print and making my first two purchases of 2011, I present:

  • userinfocmpriest‘s Bloodshot (which I am likely to also get electronically, but which I have only in print for now). This is I think her first official urban fantasy. There are vampires, but then again, this is Cherie Priest, and she’s on the list of people who’ll make me buy a book even if there are vampires in it.
  • A used copy of Susanna Kearsley‘s Named of the Dragon–which I’d actually previously owned and hadn’t been impressed with the first time through. But I found myself wanting to re-read it and feeling sad that I’d gotten rid of my last copy!

What I was actually looking for were the first two books of Cassandra Chan’s mystery series, The Young Widow and Village Affairs. I cannot find them for love or money in any of the local bookstores on my usual routes–and I checked eight, including the downtown B&N, the downtown Borders, two of the three used bookstores at Pike Place Market (the third being currently inaccessible due to construction), the U-Bookstore, Half Price Books in the U-District, Twice Sold Tales in the U-District, and the Ravenna branch of Third Place Books. I shall therefore probably have to order them, and that’s fine, though I’d wanted to give the local stores a good fighting chance at selling me these titles first.

Also of note on this walk: my marketboys were doing crazytalk huge amounts of business when I swung by them for blackberries. The market in general was very, very crowded, possibly more so than usual just because the construction does weird things to the flow of people through the place. But still, wow! Way more people there on a Saturday afternoon than I’m used to seeing when I swing through there in the mornings and afternoons, to and from work.

There was a rally going on in Westlake Park downtown when I walked from Pike Place to Borders. I wasn’t terribly surprised to see it was a rally in support of the protestors in Egypt, and I was glad to see them raising their voices. Saw a couple of people on the corner of Fourth and Pike holding up an Egyptian flag, and scattered outlying knots of people on the fringes of the main rally as well as I swung over to B&N.

Yunnie Bubble Tea in the U-District still makes extremely tasty bubble tea. I miss them.

Half-Price Books in the U-District is still pretty awesome, even though they don’t have the amount of space at their disposal that Third Place does. Good place to go for book spelunking.

Gray, cool, and rainy but not too much so is a strangely appropriate type of weather to have if you’re moody and in the mood for exercise. I actually kind of liked the weather as I walked from the University District on up to the Ravenna branch of Third Place (which I’d never been in and which is much smaller than the main store), and from there up towards 80th. Also, north along 20th from Ravenna Third Place is a nice residental stretch of neighborhood, and gave me that odd little sense of satisfaction I sometimes get when I check out part of Seattle I’ve never seen before. ‘Cause, y’know, a Warder should walk her city and stuff.

By the time I made it home, close to five o’clock, I was feeling better mentally, albeit footsore. I estimate I did four miles and change while I was out, which is about what I do on a daily basis during the week–but during the week, it’s split up into morning and afternoon chunks.

And finishing off the day with a viewing of Megapython Vs. Gatoroid, this week’s Syfy channel crapfest, was pretty much exactly what I needed. Toss in some 4th season Voyage to the Bottom of the Sea and some Voyage fanfic, and I was in a much better frame of mind by the time I went to bed.

I’m a little sad about missing Conflikt this weekend, but on the whole I think I made the right decision. My reserves of Cope were pretty low, and I needed some quiet Me time for a while. userinfosolarbird‘s been having a great time at the con this weekend though and I look forward to her bringing me a copy of userinfoseanan_mcguire‘s shiny new album!

Today I have been working on query letters for Lament, and a bit of actual writing. And I’ve been playing with the shiny new barcode scanning functionality in the iPhone Goodreads app, scanning in a bunch more of the books I own that I never got around to adding to my shelves on that site. I’ve topped 1,500 titles on my Goodreads account and will be amused to see if I top 2,000 by the time I’m done with the scanning.

Mirrored from annathepiper.org.

annathepiper: (Musical Jack)

It’s kind of lulzy that userinfotechnoshaman, userinfosolarbird, and I made a point of doing a bit of session practice this weekend–because it turned out that the session tonight was just us and Annie! Our usual session leader was off busy playing with these guys at the Tractor Tavern tonight, so we had to make do with just us four!

But it was all good. Annie was technically our session leader but we took it really casually and just took turns picking things to play. This wound up meaning that Annie, being the one who knew various actual tunes, focused on those while Dara, Glenn, and I mostly chose the GBS ditties we knew and a couple of the other non-GBS things from Jam as well: “Elf Glade” and “Pirate Bill and Squidly”. The biggest reaction we got from the crowd in the bar though was the last thing we did: “Last Saskatchewan Pirate”. That got a big ol’ roar of approval, and that was very cool. :D

Y’all remember though how I said that at last week’s session, the guys at the bar let me have one of my drinks for free?

This time they let Dara and me eat for free, so I only had to fork over for my two Irish creams. Dara and I have been paid for making public music with tasty foods! WOO!

Hopefully next time we’ll be back up to a more normal size of group, but in the meantime I’m clearly going to have to check out Matt’s band. See previous commentary re: that dude can PLAY.

Mirrored from annathepiper.org.

annathepiper: (Musical Jack)

It’s kind of lulzy that userinfotechnoshaman, userinfosolarbird, and I made a point of doing a bit of session practice this weekend–because it turned out that the session tonight was just us and Annie! Our usual session leader was off busy playing with these guys at the Tractor Tavern tonight, so we had to make do with just us four!

But it was all good. Annie was technically our session leader but we took it really casually and just took turns picking things to play. This wound up meaning that Annie, being the one who knew various actual tunes, focused on those while Dara, Glenn, and I mostly chose the GBS ditties we knew and a couple of the other non-GBS things from Jam as well: “Elf Glade” and “Pirate Bill and Squidly”. The biggest reaction we got from the crowd in the bar though was the last thing we did: “Last Saskatchewan Pirate”. That got a big ol’ roar of approval, and that was very cool. :D

Y’all remember though how I said that at last week’s session, the guys at the bar let me have one of my drinks for free?

This time they let Dara and me eat for free, so I only had to fork over for my two Irish creams. Dara and I have been paid for making public music with tasty foods! WOO!

Hopefully next time we’ll be back up to a more normal size of group, but in the meantime I’m clearly going to have to check out Matt’s band. See previous commentary re: that dude can PLAY.

Mirrored from annathepiper.org.

annathepiper: (Whistling Bob)

Last night was arguably the most awesome of the sessions we’ve had yet at A Terrible Beauty, for quite a few reasons!

I actually got there first, it turned out–since I wanted to make a specific point of ordering food from the pub so as to support the place, I jumped on the 101 pretty much right after I got my daily market berries. That got me down there by 6:20, plenty of time to have tasty pub foods. This gave me a chance to note with GREAT amusement when a very familiar song came over the sound system: none other than “Rant and Roar” by my very own beloved B’ys! Y’all may imagine how at home that made me feel in the place. ;D

Shortly after I showed up, session leader Matt did, getting his instruments together–and then userinfotechnoshaman, formally joining the session for the first time, and armed with drum and shakers. I introduced him to Matt, and while the others started showing up, we got settled in back in what’s rapidly becoming the rhythm support section of the session. And, this gave Glenn an opportunity to give me an early birthday present! Specifically, a SIGNED hardcover copy of this, which was pretty damned awesome. Thanks Glenn! Props to him as well for acquitting himself nicely on the drum, especially when Matt called upon him to drive the beat of one set.

userinfosolarbird was running late due to rehearsing other music with userinfoleannan_sidhe, but showed up in time for the session’s beginning. And Annie started us off quite nicely with the “Road to Lisdoonvarna/Morrison’s Jig/Drowsy Maggie” set–2/3rds of which, I can now happily say, I can keep up with pretty well. I still need to get down the chord’s to Morrison’s, though. More homework is required!

The biggest unexpected thing of the session turned out to be this QUITE boisterous dude who proclaimed more than once that despite looking Mexican, he was actually Scottish; certainly his brogue backed him up on that, so he was either actually Scottish or did a hell of an impersonation of the accent. He got in on the session with us on three different songs, one of which was–wait for it–”MARI-MAC”. Not the same arrangement I know from the B’ys, of course, but close enough that I could follow along well enough on backup, AND we had the opportunity to trade off little instrumental solos while Looks-Mexican-Sounds-Scottish guy kept cueing us in.

Which leads me to mentioning that I actually played the piccolo this time, after being initially reluctant to get it out due to it not feeling quite properly session-y enough. But then I remembered what I’d already known from Jam: i.e., it may not be Irish but it’s pretty close to tin whistle in sound, so hey! And I did in fact start pulling back bits of my previous piccolo twiddles as long as we were all tearing through “Mari-Mac”. Which, it must be said, ROCKED.

Dara gamely went through “I’m a Rover”, and I backed her up as best I could, but we’re going to need to practice that one some more, I think. I’m also seriously going to have to practice “Salmon Tails Up the Water”, better known to me and mine of course as the bridge to “Jolly Butcher”. If I’m going to be showing up at these things with my piccolo, I’m going to have to damn well start learning more of these tunes! AND, next time we get called upon for a song, I’m going to have to be prepared to belt out “Paddy Murphy”. ‘Cause I mean, seriously, next best place for that song after “GBS concert”, wut? ;)

Looks-Mexican-Sounds-Scottish guy got perhaps a wee bit TOO boisterous for this crowd when Navy guy John, the other mandolin player besides Dara, started in on “Wild Rover”. Let’s just say some of the verses took on a distinct theme of sheep-shagging, and there was almost some dancing on the bar; L-M-S-S didn’t quite make it to the bar, but he was up on a chair at one point! But hell, he was clearly having such an awesome time that you couldn’t really hold that against him at all, and it must be said that the dude COULD indeed lead a song. After we finished up, he even hugged me at the bar. Aw!

And here’s the other thing that happened when I was at the bar paying the bill for me and Dara: the bartender (who, if HIS accent is any indication, is actually Irish) gave me one of my drinks for free.

This means, ladies and gentlemen, that I have been given complimentary booze for playing music in a public place.

I think this means I’ve levelled up a bit in Musician. :D

Mirrored from annathepiper.org.

annathepiper: (Aubrey and Maturin Duet)

I’ll say this for the session that userinfosolarbird and I have started attending: I haven’t been this inspired to start working on learning new stuff to play in ages. Playing with a group of people who are all very clearly not only comfortable with the material they’re playing but also in several cases comfortable with switching off between diverse instruments is a new experience for me! And the pressure is on for me to step up my game. Noodling around on my guitar in the living room is all well and good. But I’ve come to the realization that it had stopped being really challenging; I can noodle around without thinking about it.

I am ready for something more, and I hadn’t really realized this until I was called upon to play “Lukey” at last week’s session. I’ve been hit upside the head with a resurgence of the same feeling I got in the very earliest days of my Great Big Sea fandom, to wit: THIS. I WANT TO DO THIS.

Where by “this”, I mean, “play this type of music along with people who are as engaged by it as I am!”

For the first time I finally have a reason to start looking through these various songbooks I’ve got–in particular, the Celtic Guitar book, the Irish flute book, and the guitar fakebook. In which I found proper sheet music, including chords, for both “Drowsy Maggie” and “Morrison’s Jig”! I don’t appear to have “Road to Lisdoonvarna”, but a quick Google pointed me here, which more than served the purpose. (Although I’m not a hundred percent sure about that AF#m–Dara says that’s just an inversion of an F#m chord, so I can work with that, sure.)

All of this of course was leading up to the fact that I’ve got multiple recordings of both “Drowsy Maggie” and “Morrison’s Jig”, and in particular, those of you who are fans of Heather Alexander or her Heir, Alexander James Adams, will recall that on the album Insh’allah, there’s a kickass set of Road, Morrison’s, and Maggie all tearing right through one another.

Tonight, ladies and gents, I more or less played along with it! I say “more or less” mostly because I just need to memorize these chords. But you know what’s awesome? Being able to play rhythm guitar along with AJA ripping away on his fiddle. Even if it IS just a recording.

And then jumping over to The Fables on a recording of theirs that ALSO paired up Morrison’s and Maggie was fun, too–since their style was significantly different, it meant I needed to play around a bit with how to strum in support.

Altan’s got a recording with Maggie in it, but they don’t line it up with Morrison’s, they’ve got it instead with “Rakish Paddy” and “Harvest Storm”. Yet here too the style was significantly different.

I came out of this pretty sure I’ll properly recognize “Drowsy Maggie” now, anyway! And a few more times playing it, I should have it down cold.

Something else I’ll need to consider, too: I’ve been mostly a guitarist the last few years, but I’m also a goddamn flute player, and I want to remind myself of that! However, my piccolo ain’t exactly in keeping with the overall idea of an Irish session, so I’m thinking I’ll have to break out the bamboos instead. Most likely Jade, who’s in E minor, and Sparrow, who’s in G (which will also let me cover D), but possibly also Sorrel, who’s in A minor.

I look forward to the Bringing of It next week. :D Session homework FTW!

Mirrored from annathepiper.org.

annathepiper: (Aubrey and Maturin Duet)

I’ll say this for the session that userinfosolarbird and I have started attending: I haven’t been this inspired to start working on learning new stuff to play in ages. Playing with a group of people who are all very clearly not only comfortable with the material they’re playing but also in several cases comfortable with switching off between diverse instruments is a new experience for me! And the pressure is on for me to step up my game. Noodling around on my guitar in the living room is all well and good. But I’ve come to the realization that it had stopped being really challenging; I can noodle around without thinking about it.

I am ready for something more, and I hadn’t really realized this until I was called upon to play “Lukey” at last week’s session. I’ve been hit upside the head with a resurgence of the same feeling I got in the very earliest days of my Great Big Sea fandom, to wit: THIS. I WANT TO DO THIS.

Where by “this”, I mean, “play this type of music along with people who are as engaged by it as I am!”

For the first time I finally have a reason to start looking through these various songbooks I’ve got–in particular, the Celtic Guitar book, the Irish flute book, and the guitar fakebook. In which I found proper sheet music, including chords, for both “Drowsy Maggie” and “Morrison’s Jig”! I don’t appear to have “Road to Lisdoonvarna”, but a quick Google pointed me here, which more than served the purpose. (Although I’m not a hundred percent sure about that AF#m–Dara says that’s just an inversion of an F#m chord, so I can work with that, sure.)

All of this of course was leading up to the fact that I’ve got multiple recordings of both “Drowsy Maggie” and “Morrison’s Jig”, and in particular, those of you who are fans of Heather Alexander or her Heir, Alexander James Adams, will recall that on the album Insh’allah, there’s a kickass set of Road, Morrison’s, and Maggie all tearing right through one another.

Tonight, ladies and gents, I more or less played along with it! I say “more or less” mostly because I just need to memorize these chords. But you know what’s awesome? Being able to play rhythm guitar along with AJA ripping away on his fiddle. Even if it IS just a recording.

And then jumping over to The Fables on a recording of theirs that ALSO paired up Morrison’s and Maggie was fun, too–since their style was significantly different, it meant I needed to play around a bit with how to strum in support.

Altan’s got a recording with Maggie in it, but they don’t line it up with Morrison’s, they’ve got it instead with “Rakish Paddy” and “Harvest Storm”. Yet here too the style was significantly different.

I came out of this pretty sure I’ll properly recognize “Drowsy Maggie” now, anyway! And a few more times playing it, I should have it down cold.

Something else I’ll need to consider, too: I’ve been mostly a guitarist the last few years, but I’m also a goddamn flute player, and I want to remind myself of that! However, my piccolo ain’t exactly in keeping with the overall idea of an Irish session, so I’m thinking I’ll have to break out the bamboos instead. Most likely Jade, who’s in E minor, and Sparrow, who’s in G (which will also let me cover D), but possibly also Sorrel, who’s in A minor.

I look forward to the Bringing of It next week. :D Session homework FTW!

Mirrored from annathepiper.org.

annathepiper: (Music All Around You)

It’s been a while since I’ve done a decent Jam Report around here, so I will now make up for it with a new twist on that: a Session Report!

Last night my beloved userinfosolarbird and I had the distinct pleasure of sitting in with our very first Irish session. For those of you not familiar with those, they’re events where musicians gather together to hang out and play traditional Irish music. Last night’s was one starting up for the very first time at a pub called A Terrible Beauty in Renton! Dara found out about it courtesy of someone I believe she said she’d met at the Highland Games a few months back, and Dara relayed it to me.

Since I do of course have a ton of Irish music on my iPhone, I’ve known about the custom for some time; it gets mentioned a lot in lyrics, of course. And you hear about it when you are a fan of the appropriate genre of musicians. But I’d never been to one and so when Dara told me about this one, I leapt at the chance for us to go.

Several of you who follow my blog in whatever form will be familiar with filk circles. A session is kind of like that–but not quite, at least in comparison to the filk circles and housefilks I’ve attended. The main difference, aside from the obvious focus on traditional Irish music, is that the filks I’m used to are situations where one person plays one thing, and then another person takes a turn, etc. At filks, you may or may not get people playing along with the primary performer, depending on how strict a bardic circle you’re conducting. At this session, though, everybody was playing, and focusing on the melody being played in particular.

We had an excellent balance of instruments as well, which helped. As Dara and I were a) new to sessions in general, b) new to these folks in particular, and c) the only ones with rhythm instruments being regularly played (Annie, Dara’s friend, also had a guitar but primarily focused on her fiddle), we hung out over on the side of the group trying to follow along and play accompanying chords. Everyone else drove the melodies, trading off between their instruments. It was very neat to watch and I was very impressed that these folks were all very clearly comfortable with several instruments between them.

Dara, being more heavily practiced the last couple years than I am of course, got fancier with her strumming than I did. Me, I was working very, very hard on trying to pick out the keys of several unfamiliar melodies–just to try to improve my ear. I counted it a victory when I realized a few bars in on one melody that OH HEY THAT’S IN A! But I did also have the quiet satisfaction of figuring out unfamiliar (to me) ways to strum, to try to support the melodies being played. That was a fun learning experience and I want to do more of that.

Also, not ALL of the melodies were unfamiliar. Several of them tugged at my memory just because, these being Irish trad tunes of course, I KNOW I’ve heard a lot of them as part and parcel of the dozen or so albums I have with this material all over them. I just don’t know a lot of the specific tunes by name yet. But I DID very specifically recognize “Si Bheag Si Mhor” and “Road to Lisdoonvarna”–the latter, specifically, because userinfocflute is a big fan of that one and likes playing it at Jam. :D

I must give props to Annie for a few things. One, I noticed she had a Luna guitar, a lovely green one, and my fellow Drollerie author Heather Ingemar had been plugging those guitars to me before I bought the General. Two, Annie is a fellow GBS fan and it is always, ALWAYS a pleasure to meet another person who loves the B’ys. Three, I was sheepishly relieved that while she was the other guitarist present, she spent most of her time giving love to her fiddle, so I didn’t feel entirely dorky back there playing rhythm on the General. ;D

Props must also be given to Matt, the guy who was hosting the session. Dude can play, and he traded off adroitly between his own fiddle, an Irish flute (I am STILL coveting an Irish flute despite the dozen+ flutes I already own), and a very cool-looking harp decked out in Christmas lights which did wonderful things for lighting him up while pictures were being taken of us. I am very grateful to him for letting Dara and me sit in, and in particular for encouraging us to try to join in more by playing stuff we know.

We admitted that we know more things with vocals than without–in the parlance of a session, that means we know songs rather than tunes. So Dara nudged me in to do “Lukey”! I capoed up 2 so I could get it into a key I could credibly sing, and scooted over to sit on the floor in the middle of the circle so the others could see my changes if they wanted to follow along. And I tried to describe the arrangement I knew before I started playing, hoping to give enough data that if anybody wanted to improv something, they could! That didn’t happen but I strongly suspect that was just a function of the others not knowing the song as I was playing it per se–and even given that, they all followed along very solidly.

There is something heady and magical about whipping out a fairly solid performance of a song with people you have never played with before in your life. Not to mention HOLY CRAP YOU GUYS, I have played AND SUNG “Lukey” in an actual Irish pub. In front of COMPLETE AND TOTAL STRANGERS. *^_^*;; I hope I did my B’ys proud. <3

And I totally want to do this again, in no small part because it'll give me an excuse to play my instruments more often. I say instruments because the opportunity to swap out between the General and my long and sadly neglected zouk and octave mandolin, not to mention my flutes, is too shiny to resist!

And oh yeah, it must also be said that A Terrible Beauty is a lovely place, and the food Dara and I ordered was nommable. And served us by a guy who from the sound of him was either Irish or doing a damn good impression of it. ;)

Last but not least, I must plug the photos taken of all of us musicians by one Liz Jackson, a very nice lady who clearly knows the business end of a camera. And the crowning pic of her collection would be this one right here! Please go over and give her some comment love, people!

Thank you Matt and Annie and Liz and everyone else for welcoming us, and I hope we can play with you all some more!

Mirrored from annathepiper.org.

annathepiper: (Music All Around You)

Ladies and gentlemen, as promised, today I went with my beloved userinfosolarbird to Dusty Strings and got myself a shiny brand new guitar! It took a bit of deciding, especially given that the place was a madhouse (they were having an open house and concert and they were packed wall to wall with people), but I ultimately settled on a Taylor 210.

Description of the afternoon–and most importantly, PICTURES–behind the cut!

Read the rest of this entry » )

Mirrored from annathepiper.org.

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