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I have been horribly, horribly remiss. I have hardly read anything at all by Neil Gaiman, which I know is tantamount to blasphemy in SF/F fandom. (But hey, I've still only read the first three Harry Potters, too.) To date, the only thing of his I've enjoyed--and I did enjoy it quite a bit--was the team-up he did with Terry Pratchett, the absolutely delightful Good Omens. Having just seen the movie version of Stardust in the theaters, I felt compelled to finally correct this little problem and read the novel.
And to be honest, I think the book suffers in comparison with the movie so fresh in my brain. There are certainly moments of magic in the prose; Gaiman is after all a gifted writer, and more than once his descriptions made me grin. But there are large swaths of the movie that expand on things barely described in the story, and between that and the fact that I burned so very quickly through the book on my way home from work, the novel seemed barely substantial to me. Most importantly, the endings are very different. I can see virtue in the way the book ends it; it's a gentler ending, which isn't necessarily a bad thing. But for me at least it lacks a certain emotional punch, and I am not surprised in the slightest that they changed the ending when they took it onto the big screen.
Still, though, the novel's worth a glance just on the virtue of Gaiman's prose alone. Two and a half stars, or three if you happen to get hold of the illustrated graphic novel version with the lovely art of Charles Vess, also well worth a look.
And to be honest, I think the book suffers in comparison with the movie so fresh in my brain. There are certainly moments of magic in the prose; Gaiman is after all a gifted writer, and more than once his descriptions made me grin. But there are large swaths of the movie that expand on things barely described in the story, and between that and the fact that I burned so very quickly through the book on my way home from work, the novel seemed barely substantial to me. Most importantly, the endings are very different. I can see virtue in the way the book ends it; it's a gentler ending, which isn't necessarily a bad thing. But for me at least it lacks a certain emotional punch, and I am not surprised in the slightest that they changed the ending when they took it onto the big screen.
Still, though, the novel's worth a glance just on the virtue of Gaiman's prose alone. Two and a half stars, or three if you happen to get hold of the illustrated graphic novel version with the lovely art of Charles Vess, also well worth a look.
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Date: 2007-09-26 04:28 am (UTC)no subject
Date: 2007-09-30 03:06 am (UTC)no subject
Date: 2007-09-26 02:19 pm (UTC)I have yet to see Brokeback Mountain in either form; the only Annie Proulx thing I've read is The Shipping News, since it was set in Newfoundland, and that mostly just didn't go over well with me at all. ;) So I haven't been too moved to go look for anything else she's written.
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Date: 2007-09-30 01:33 am (UTC)I'll think more about this. As I originally posted, I do see virtue in the book, and right now the differences between the versions kind of strike me akin to the differences between various tellings of the same mythic story. Which is a good thing indeed. :)
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Date: 2007-09-26 07:40 am (UTC)no subject
Date: 2007-09-26 02:15 pm (UTC)And yeah, the ending in the movie is significantly different and IMHO packs a more satisfying emotional punch--and is doubtless an ending they chose because it plays a lot better in a film. The book ending is okay for a book but would have been deathly boring in a movie. You should see the movie if you get a chance, it's fun. ^_^
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Date: 2007-09-26 08:42 pm (UTC)no subject
Date: 2007-09-26 08:47 pm (UTC)no subject
Date: 2007-09-28 05:13 am (UTC)no subject
Date: 2007-09-30 03:02 am (UTC)