annathepiper: (Bouzouki Fandom)

The obligatory Great Big Writeup of Great Big Swoonability is on the way, but I’d like to share this one pic I got during the show. Usually my iPhone’s less than useful for taking photos in an indoor concert situation–since I inevitably wind up with blurred figures in a wash of color and light.

Sometimes, though, it winds up looking really, REALLY cool. Like this pic!

God of Music and Light

God of Music and Light

And some of you may have heard rumors of a Certain Cake. What I’ll say about that right now is that the cake was not indeed a Lie. Stay tuned for more details on that cunning plan and how it was enacted!

Mirrored from annathepiper.org.

annathepiper: (Alan Bouzouki)

There’s only one thing really that could have kept me from writing this up in a timely fashion–and that’s the simple fact that I’ve been working all weekend with userinfosolarbird on our entry for the Great Big Karaoke Contest! But I assure you, I’m still in a warm and fuzzy afterglow from Thursday’s awesome show.

This time around we didn’t get quite as much long, protracted banter as we did the last time the B’ys played the zoo–but we did get quite a bit of delicious Murray-focused banter, as well as sly remarks about how the sun beating down on the stage clearly meant the lads were going to have to start taking off some clothes. Compare and contrast this to how Lillian and Moira, ages 4 and 3, loudly demanded for me to take them up front to the dancing area and got me going around in circles with them singing “Donkey Riding” at the top of our lungs. That’s a Great Big Sea show for you, folks. Vast, and containing multitudes!

Read the rest of this entry » )

Mirrored from annathepiper.org.

annathepiper: (Alan Bouzouki)

Just got back from the zoo, you guys! Picoreview: delightful as always, especially up in the dancing area surrounded by fellow OKPers and other people ready, willing, and able to bounce like crazy along with our B’ys.

Huge shoutouts to userinfomamishka, userinfosksouth, userinfojennygriffee, userinfojessicac, her spouse Clint whose LJ I still can’t remember, userinfokathrynt, userinfollachglin, userinfotechnoshaman, and userinfoladyallyn coordinating me with and userinfospazzkat and userinfosolarbird to get the disparate parts of our group together!

Also huge shoutouts to userinfosticckler, userinfoseattlesparks, and especially userinfoauntmonkey, who I haven’t seen and jammed with in TOO DAMNED LONG I SAY.

Even saw and greeted several OKPers besides sticckler: shelleyroberts, shoegirl, and loulabelle! And there was a lady whose name I didn’t get who was kind enough to compliment my singing as I was belting out harmony during “Chemical Worker’s Song”! Thank you, kind lady!

But! EXTRA DOUBLE AWESOME SHOUTOUTS back to userinfosksouth for getting me a guitar pick from the hand of The Doyle Himself. She saw it fall and scarfed it, and presented it to me after the show! In return, I bought her a copy of Up, GBS’ third album! THANK YOU SARAH! <3 I shall play only Awesome Songs of Awesomeness with this pick!

Lastly it must be said that Alan is not only still pretty, but userinfosolarbird and I are in strong agreement that in fact, he gets prettier the longer a show continues. By the time he gets to “Ordinary Day”, he is stunningly gorgeous. Trufax! Scientifically proven!

There is of course a longer full show review post coming, but that’ll be tomorrow, after I have my brain back. Watch this space for the fully detailed squee!

Mirrored from annathepiper.org.

annathepiper: (Alan Bouzouki)

And now, ladies and gentlemen, the highlight of userinfosolarbird, userinforavyngyngvar, and my trip to Vancouver: the Great Big Sea concert at Malkin Bowl in Stanley Park, Saturday night, September the 12th!

Fangirly squealing behind the fold, and this time, y’all, thanks to my beloved Dara, I am bringing pictures. There are links off to suitable tasty videos as well, and mad props to OKPers sticckler and katy for those!

Read the rest of this entry » )

Mirrored from annathepiper.org.

annathepiper: (Alan Bouzouki)
And now, the post at least some of y'all have been waiting for: the Review Post of Great Big Awesomeness!

The evening was highly enjoyable all around, in no small part due to the fabulous [livejournal.com profile] mamishka, [livejournal.com profile] casirafics, and [livejournal.com profile] technoshaman forming the party with whom I attended the concert. It was also delightful to bump into [livejournal.com profile] kendaer, [livejournal.com profile] seattlesparks, [livejournal.com profile] prettyshrub, and [livejournal.com profile] solcita, as well as GoatLady from the OKP, at the Moore.

This was in particular Glenn's first GBS concert, and I was very pleased he was not disappointed; I'm always happy to introduce my B'ys to a new fan. And playing their stuff in Jam is one thing--but hearing it come straight from them is another thing entirely. Still, a tiny part of me is always a little nervous that someone might look at me funny and wonder what the hell I'm on about. ;) Last night's show, though, put those worries to rest for another round. As I fully expected it would!

Pre-show: Recovery Girl braves the busses to head downtown... )

Obligatory ogles of the B'ys... )

The Set List... )

Show details... )

Mimi had to work the next morning, and since I am still Recovery Girl, we opted to get me straight home so I could fall into bed. Weary and content, we parted ways with Glenn and Jen, and waved at the shiny new Great Big Tour Bus on the way out of downtown. Maybe next time, there can be Kells!
annathepiper: (Bouzouki Fandom)
It turns out, ladies and gentlemen, that the ZooTunes series of summer concerts are an excellent showcase for Great Big Sea. We had a fabulous time in the open air with the sun at our backs and the B'ys before us, and even if most of us remained seated for the duration of the concert, I and mine made up for it by singing at the top of our lungs and clapping our hands with all the vigor we could muster.

Pre-Show Outside the Zoo: Who knew the zoo was so well armed? )

Pre-Show Inside the Zoo: Jaguars and otters and a randomly lounging Newfoundlander )

Opening Act: Jeremy Fisher, honorary local boy! )

Main Event: The Lion King and Jerome the Telepathic Giraffe )

The concert closed for me on an up note as a complete and utter stranger came up to me, while we were getting all our things together, and informed me that he'd never before been to a concert where someone knew each and every word of all the songs like I did. He high-fived me, and I thanked him profusely, feeling very much made of Great Big Fangirl Win. *^_^* And on the way out I saw several OKPers and exchanged happy words with 'em! Had I known there was going to be a contingent heading to Kells after, I'd have been seriously tempted... but alas, Kells was in the direction of downtown, directly opposite the direction of home, and our car was headed homeward. Maybe next time there's a show closer to downtown!

And on a final note, I left out an attempt to describe the B'ys' themselves and how they looked and what they were wearing, on the grounds that when it comes to that, pictures are worth several thousand of my words. Pics of the show can be found here and here (some really great ones here by a new OKPer! Some really fine Séan--oh, aheh, I'm sorry, "Jerome") and here. Enjoy, all!
annathepiper: (Smile On My Face)
"If you go to a GBS show and don't come out of it hoarse from cheering and shouting and singing at the top of your lungs, with your hands stinging and your legs and arms aching from all the clapping, fist-pumping and leaping around, with your heart thumping and your ears buzzing and the surety that you couldn't be happier about it all, then I propose to you, my friends, that you are clinically dead and there is no hope for you."
-- [livejournal.com profile] casirafics, over on her journal

Truer words were never spoken than these, because *sighs happily*, if you go to a GBS show and have not in fact experienced these very things, you are doing it wrong. As I write this, I am sore in the knees and hoarse in the throat and feeling a hell of a lot better than I have in the last couple of adventuresome weeks here around the Murkworks.

This was a return to the type of GBS show I'm more familiar with--the single-set show, about an hour and a half long. It wasn't quite as fabulous as the two-set show they were doing during the last tour, but then again, even the B'ys themselves would have a hard time topping the fabulousness of that. Still, even a single-set GBS show is pretty damned fabulous!

Since there were quite a bit of rumblings on the OKP amongst the Pacific Northwest crowd about meeting up before the show, I'd posted a link to this pic of myself with my usual red and blue hat, inviting OKP people to keep an eye out for it if they wanted to say hi. This let me actually meet quite a few people, which was really, really cool. OKPers met included MorganEH and his wife (Kikki, said her ID was KikkiScooter), OregonWildChild, AnnR, Binny, Sooz71, helenwheels, and Janeill. Along with the OKPers, I also met Linda Strout, who says she knows me from Norwescon as well, which was pretty neat.

LJers encountered were [livejournal.com profile] wingedelf and [livejournal.com profile] damashita, their little one [livejournal.com profile] scootercomputer, the fabulous [livejournal.com profile] casirafics who I know from Writer's Weekend, and of course [livejournal.com profile] auntmonkey and her step-kid.

Meeting up at Bumbershoot: Auntmonkey's Sekrit Plan... )

GBS hits the stage... )

Post-show: Anna goes to Kells... )

This morning: Dara gets her present... )
annathepiper: (Bouzouki Fandom)
This being the concert itself, as well as post-show hanging out. Highlights: an excellent acoustic set featuring Alan and Séan in high banter form with an extra level of verve because of the Bus Incident; a positively devastating rendition of "River Driver"; much affection for Seattle and coffee expressed by Alan and Séan; the audience causing a set list change by spontaneously busting into "General Taylor" between sets; Alan delighting us all with a Seattle-themed "we're really glad to be here, NO REALLY we're glad to be alive" ditty right before tearing into "Old Black Rum"; a beautiful unmiked performance of "Old Brown's Daughter"; and after, the B'ys causing a stampede to Kells.

The venue and audience... )

The B'ys... )

Set #1: Folk songs from Newfoundland... )

Between the sets: oh look, impromptu audience singing! )

Set #2: Break out the amps... )

After the show: hanging out at Kells... )
annathepiper: (Bouzouki Fandom)
This being all the pre-show meeting up and hanging out and dinner sorts of things! Part 2 will cover the actual concert and post-show hanging out. Highlights here: musicgeeking with Fred, tales of ambush by utilikilts, sticking me in a smuggling hatch, tales of interviewing the lads of Carbon Leaf, and meeting up with other LJers in the audience--and rumblings of a possible resurrection of our jamming group!

Musicgeeking with Fred at MurkNorth... )

Picking up Mimi, heading downtown, and Pike Place Brewery... )

Swag table, getting seats, LJ encounters, and the tale of Three Good Measures... )
annathepiper: (Default)
After the show: okay, now what? )

Sean McCann the Shanty Man: he teases blonde Pipers as well )

Lightning only strikes once, so let's go home now )

To sum up: I'm still very tired, even on Monday afternoon two days after the fact. But it gives me warm fuzzies to know that even at a show that I was barely able to hear, even two days after the fact I still have that warm afterglow that comes from a great GBS show!
annathepiper: (Default)
Picoreview: Quality-wise, the sound mix at the show was too loud so most of the songs were almost incomprehensible. This kind of killed the show for [livejournal.com profile] solarbird, but the extremely high good humor of the bands totally made up for it for me, and so did post-show encounters with band members at a local pub. Since this was the last show on this particular tour, both Carbon Leaf (the opening act) and Great Big Sea were in positively devilish humor, and this rolled right out into their interactions with each other and the audience. So even if the songs were hard to make out for those of us right down by the stage, the energy of the evening still made it more than memorable and a night for west-coast GBS fans to be talking about for years.

Big snugs go out to [livejournal.com profile] gerimaple (Geri) and [livejournal.com profile] elfmaid (Amy) for coming down from Vancouver to crash at the Murkworks and accompany us to the show, and to Monica (who is not on LJ), one of the erstwhile members of our jamming group Three Good Measures, for joining us as well to bring the number of our merry band to five. These things are always more fun in herds!

Pre-Show gathering at the Murkworks and going to the Moore )

Chatter in the line at the Moore: hey, that building isn't symmetrical! )

Inside the Moore: Anna and adventures in GBS shirts )

Carbon Leaf's set: too much Loud but kickin' mandolin )

Between sets: holy crap, somebody actually looked at my web page?! Cool! )

Great Big Sea's set: ladies of the Greater Seattle area, there are Rovers among you )

This post is already huge--and I am positively exhausted. So I am going to cut this off here and go ahead and post it to LJ; tomorrow, I will follow up with the post-show hijinx and the tale of how Anna Was Teased By the Shanty Man!
annathepiper: (Default)
As [livejournal.com profile] solarbird has already written, this past Sunday she, [livejournal.com profile] mamishka, our friend Fred and I all went to go see Great Big Sea perform in Vancouver this past Sunday, the 29th.

Short form: DAMN, I needed that. And yep, they can keep the new guy. But going to a concert with a broken arm that keeps you from going up front to enjoy the show with your partner sucks!

The long form, added to this entry 8/28/04 )
annathepiper: (Default)
I seem to be lagging a lot lately on getting things done in a timely fashion; I'm writing this concert report three days after the actual fact. But!

Great Big Sea fans know -- it's very difficult not to be jazzed about an upcoming show. But when you're on Great Big Sea's Street Team and you have spent several days trudging all over portions of your hometown that you had not previously seen with your own eyes, looking for good places to leave dozens of fliers and posters advertising the upcoming concert, it's all the more difficult to avoid bouncing with excitement. Read more... )
annathepiper: (Default)
Ah, the lingering afterglow of viewing my favorite Newfoundlanders in concert! Read more... )
annathepiper: (Default)
Buckle up your seat belts, b'ys[1]! This -- my 3rd Great Big Sea show, and my 2nd Great Big Sea review -- is another long yarn from Anna the Piper.

Now, no journal of mine would really be complete without a little bit of backstory, and this one's no exception. To start off with, ever since my last GBS show at the Showbox this past St. Paddy's Day, I'd been bound and determined to see them again this year on the grounds that poor Sean McCann was ill for that performance, and I sorely missed getting to hear all of the songs that he performs.

The problem was, their next scheduled appearance in Seattle was Bumbershoot on 9/2 -- which was right smack in the middle of my own planned trip to Philadelphia for the science fiction convention Worldcon. MUCH to my consternation. Henceforth I vowed to go and ogle the B'ys[4] in Vancouver, to make up for missing them on my own home turf.

Now, most of August, mind you, I spent in anticipation of going to ogle 30 Odd Foot of Grunts in Portland, but I was assured that once I got that out of my system and got through Worldcon, I'd be in full blast anticipation mode for Great Big Sea and I was right. Especially after getting home from Philly to hear from my friends who had attended the Bumbershoot show the story of the Great Big Gitch Toss[2] and that they'd also had the delightful pleasure of conversing with both Alan and Darrell after the show. Even if the evil wenches had mentioned certain sonnets penned by certain pipers, but ahem, well, er, we won't go into that here. ;)

In the meantime, I'd also had the pleasure of introducing one of my online friends to Great Big Sea. Mary since then not only joined us on the Online Kitchen Party, not only attended three shows on her own (and sent me a lovely set of photographs from said shows), but even came out across the entire country for the express purpose of meeting me and mine, and going up to Vancouver with us for the watching of, dancing before, and singing along with our favorite Newfoundlanders.

(As I write this, safely returned from our trip north across the border, Mary has retired to bed upstairs. But said for me to tell everyone hello and that she did in fact make it safely to the Murkworks, western bastion of Great Big Sea fandom!)

We all wound up having a bit of shuffling about of who exactly the Vancouver-bound amongst us would be. I'd purchased five tickets, and originally our expected party would be myself, my wife Dara, our housemate and fellow jammer Paul, our fellow jammer Kathryn, and Mary. Kathryn's mate Erik waffled some about whether to come with us, but finally waffled into the neighborhood of 'no'. Paul came down with a cold as we got back from Worldcon, and so his ticket was shunted over into the custody of Mimi, who'd already gone to the Bumbershoot show but who decided she was up for another one (yay Mimi!).

Since this was intended to be a one-day trip, so that we could in fact get back here in time to jam the next day, we pretty much expected we'd zip right up to Vancouver, find the park, find the show, find some post-show dinner, then zip right back home again. We even cleverly planned to bring cell phones with us, on the grounds that since there were going to be two vehicles, we didn't want to get out of communication with one another.

This isn't quite the way it worked out, however, as is generally always the case with these things. A whole host of little things added up to give the day a considerable amount more adventure than we'd planned!

Adventure #1: While I was busy filling the car with gas not far from our house, Dara, Mimi, and Mary went to the bank nearby to get some American money exchanged for Canadian so we'd have money for lunch and dinner. This apparently broke the brain of the poor soul they asked about this, though, who apparently had to go get someone else to help them out. It turned out the bank only had fifties and fives in Canadian currency, so we got a couple hundred bucks in Canadian money between us.

Adventure #2: Those in my vehicle, Dara and Mary and I, got on the road pretty much fine. The trip north was uneventful; customs was a breeze, as we pretty much announced, "We're going to a Great Big Sea show!" And the lady waved us right on through. Our directions from Mapquest.com into Vancouver were even on target, though we had some leeriness amongst us as to their validity. But on the whole we got to Stanley Park without incident. Only to realize as we got there that there is a WHOLE HECK OF A LOT OF STANLEY PARK, and furthermore, we had no idea as to what section of it would actually contain Newfoundlanders committing acts of music. So we spent a good deal of time driving around the park looking for a place to park as well as some sign of a location that looked concert-sized. Finally we did find a place to leave the car, and we got out with the plan of going back to a pavilion-type place we'd passed to ask for directions. As we did this I got the bright idea to actually look at our tickets and see if they had information more specific than "Stanley Park", which they did, which was "Malkin Bowl". So as we spotted a park trolley going by, we asked the driver if he went to Malkin Bowl. He said he did, but that it was thirty minutes away by his schedule. We asked him how far away it was on foot, and that was also thirty minutes, according to him. But we decided to get on anyway. Only to have him stop at pretty much the next intersection of roads, point off to the left, and tell us that Malkin Bowl was ten minutes on foot that way. He wasn't scheduled to make a stop there, but he was very kind and let us off right past the intersection anyway.

So we got off pretty much immediately after we got on, and left him a five-buck tip as that was definitely five bucks' worth of helpful.

Adventure #3: During a good portion of Adventure #2, Dara, as our Keeper of the Cell Phone, had been having the phone go off at fairly frequent intervals. She didn't recognize the number it was reporting, though, as it was showing a 604 area code, which bears absolutely no resemblance whatsoever to area codes known to mortal denizens of Seattle. Moreover, every time she tried to actually answer the phone, she wasn't able to hear anyone on the other end.

We had equally lousy luck trying to call Kathryn's phone, which kept resulting in Dara being informed it was out of range.

We did get to Malkin Bowl with no trouble and found where the show was to be, but we were getting worried about how Kathryn and Mimi would find us and whether they would in fact do so before the show started. Finally, though, we managed to touch bases and they caught up with us, tired and hungry and cranky and in desperate need of sustenance.

Interlude, with Music: Fed, united, we settled down relievedly in the concert area. Only to split up again, as Mary and Mimi had gone in first to try to scarf us a place while Kathryn got food. Mary was able to find us a place to leave our blanket, which she guarded until we arrived, but both she and Mimi wanted to be closer to the stage. Dara was fighting off the same cold that had grabbed Paul, so she pretty much wanted to take it easy on the blanket; Kathryn, too, wanted a home base. So they opted to stay with the blanket and guard stuff, while Mimi and Mary and I went in closer.

We didn't manage to catch all of the opening act, but what we saw of them, the Street Prophets, was pretty enjoyable. Kathryn and Dara yakked at one another about having heard them being billed as a ska band; me, I just mostly noted that they had a good lead singer who also played lead guitar, and two guys on saxophones, one alto, one baritone. They also had a bass player, a drummer, and a DJ in the back. Young guys all, laid back and amusingly funny. The sax players I found particularly charming as they had a way of bouncing in unison to the beat, and one of them had on a pretty stylin' red jacket and black shades. They even all cracked jokes about knowing we were impatient for Great Big Sea to come out, and the guy with the bari sax quipped, "That's who we're here to see!"

After they were done we didn't get the B'ys immediately, though. Since the whole point of the events of the day was Canada's National Backcountry Awareness Day, between the two musical acts the event organizers took the time to hand out an (evidently pretty significantly) important award to a (evidently pretty darned) famous personage in the whole arena of mountaineering. The gentleman in question was not actually present, but his son was on hand and accepted the award on his behalf; also, the audience was told about the gentleman the award was named after, who'd apparently died in an accident. His widow was present, too, and the audience was invited to give her a round of applause to show its appreciation.

Now, I have to admit as I write this that it was just a touch strange to be an American in this particular audience, since even though there was a great deal of good feeling in the crowd and warm glowing pride in the loveliness of Canada's environment -- which, mind you, I have to note is absolutely well-deserved, at least from what I saw of Vancouver today, which was stunningly gorgeous and shining under the beautiful weather of the day -- I felt a bit like I'd walked in on a party I knew absolutely nothing about. But I did also note that the gentleman for whom the award handed out was named was, in fact, a transplanted American who had apparently chosen to make Canada his home and who was described as having a great passion for his adoptive country.

In that respect, I have to say that I was impressed; it has certainly given me a sense that the folks north of the border seem to be very warm-hearted and absolutely willing to welcome in those from other places as their own. And if they go and do something wonderful, to then go and name awards after them. Overall, hearing that part of the speech helped give me a sense of connection to the overall doings that I don't think I'd otherwise have had, and it was all, in general, very cool.

I kept just a touch of awareness of the strangeness of being an American seeing Great Big Sea on Canadian soil when they did finally come out, to the by-now-familiar strains of "Donkey Riding". Mimi told me after the show that she felt it was the best show of theirs she'd seen so far and she attributed it to them performing for a (predominantly) Canadian audience. Which was odd to me -- because at least initially, the B'ys parsed as more laid back than usual, at least for the early half of the show!

But thinking about it, looking back, I think I agree with Mimi. Alan said very admiring things about Vancouver, describing how they'd come into Vancouver to play their first gig there, and as they drove in at about 6 in the morning, he'd thought that the locale was such a cool place to put a city. And that he was saying this as someone from a cool city. Someone in the audience at that point yelled out something that I think was "Petty Harbor", though I couldn't hear them clearly; Alan, however, did nod in acknowledgement.

Still, though, American or Canadian, there is a big sense of camaraderie in a Great Big Sea crowd. Especially on Canadian soil. Those of us who surged up towards the stage in anticipation of the B'ys coming out were all there with one purpose in mind, and it was quite apparent. Because everybody there was singing, and although I could frequently hear myself as I sang along, there was a great deal of singing around me all throughout the show, even when Alan wasn't prompting us.

Mimi, Mary and I were more or less Stage Alan, though there were a few folks in front of us and a couple who edged in between Mimi and Mary and me by the end. But really, I didn't mind too terribly much. Because I had a very fine view, and heck, I frequently looked down anyway as I scribbled down song titles to make sure I had the set list right!

But just to provide a bit of evidence of our fine view, the What the B'ys Were Wearing and Other Related Details Report:


  • Darrell: All black. Long sleeves and jeans. As another poster to the OKP has observed, he looked awfully sunburned as well.

  • Alan: Black jeans, orange shirt with short sleeves, black shirt that was probably a t-shirt under it? His usual pendant. He does, yes indeed, look leaner these days. And blonder, too. Somebody's been highlighting his hair. Or else spending a lot of time out in the sun. ;)

  • Séan: All blue. Blue jeans, and a short-sleeved light blue shirt.

  • Bob: Black jeans, and the same black bowling shirt with the fireballs that he'd worn at the Showbox on St. Paddy's Day. I made an especial note of checking Bob's shirt, ever since I realized that he and Garth Adams of 30 Odd Foot of Grunts seem to share an affection for black shirts with fire decorations. ;) Bob's hair is looking spikier these days, too. I'm personally hoping he'll consider growing it longer again!


And this is the Set List, as faithfully transcribed by yours truly. I noticed that it was pretty much almost the same list of songs as performed on Road Rage, with a couple of tweaks to accommodate the new stuff:


  • Donkey Riding
  • Billy Peddle
  • When I'm Up
  • Goin' Up
  • Boston and St. John's
  • The Night Pat Murphy Died
  • Sea of No Cares
  • Everything Shines
  • Old Black Rum
  • General Taylor
  • Lukey
  • Feel It Turn
  • Consequence Free
  • I'm a Rover
  • Fast as I Can
  • Jack Hinks
  • Mari Mac
  • Ordinary Day
  • Excursion Around the Bay
  • Feller from Fortune
  • Rant and Roar
  • End of the World


Other things of note:


  • Throughout the show, I made a point of trying to pay attention to who had what instruments when. Alan alternated between guitar (and in fact seemed to have a couple of guitars he switched off between) and bouzouki, and this answered the question for me of what songs have bouzouki on them versus mandolin -- at least, if the assumption that the instrumentation is consistent between live shows and studio cuts, an assumption I am not sure yet that I can make. Sean did guitar, bodhran, and shakers, and I noticed once that he in fact changed from the bodhran to the shakers in the middle of a song. Bob was fiddle and whistle and accordion and an instrument I'm pretty sure at this point is a mandola. I've seen pictures of him with it before, the instrument which has a body shape similar to my mandolin but which has, if I can make it out correctly from the distance of an audience, a longer neck. This specific instrument seems to have its sound hole taped over as well.

  • For those of you who regularly observe the Bob Effect[3], I noticed at least once that this phenomenon is still alive and kicking, for during one Bob solo, not one, not two, but ALL THREE OF THE OTHER B'YS were pulled across the stage toward him as he played! ;)

  • Alan cracked a joke about playing their songs, new songs, old songs, other people's songs, random requests, pretty much anything. I forget which song's intro had the joke about the B'ys not knowing where to go in Vancouver and the audience being invited to come with them, however!

  • This rendition of "When I'm Up" seemed a bit slower than I'm used to, but that was all fine. We all sang along anyway!

  • Séan's mangling of the first chorus of "Paddy Murphy", this time, was "ALLLL THE PEOPLE IN THE PARK GOT LOADED DRUNK!"

  • Alan, in the lengthy introduction to "Sea of No Cares" told us all they were almost done with the new album, and that the ballpark release date for it was just after Christmas (which means, as a side note, that I MAY GET NEW GREAT BIG SEA FOR MY BIRTHDAY IN JANUARY HURRAY!), and that they were trying out a new song off of it as a test run. That we, the audience, may be the making or breaking of this song. The victims of a horrible experiment... or the fortunate few who heard it first! (The verdict: nice ditty, that! Alan tried to get us to sing along with him, but this was the first time I'd heard it, so I couldn't accommodate him nearly as much as I would have liked. ;) )

  • "Everything Shines" seemed awfully darned appropriate for the gorgeous weather with which we were favored for this show! Because really, it was the sort of sunshine that does, in fact, make everything shine.

  • The introduction to "Old Black Rum" involving Alan telling us all about a drink in Denmark he's fairly convinced is a trick they play on the tourists, and how he didn't much care for the drink in question, which was called gammeldansk. Séan chimed in that he rather liked it. Alan then proceeded to inform us that they had a similar drink in Newfoundland, and well, BEWARE THE OLD BLACK RUM!

  • We got the extra verse on "General Taylor" -- and, might I add, Séan was in particularly fine melodic form. I sang on all the responses, but shut up when he sang the calls, just so I could hear him. Because WOW. Especially on the final "carry him tooooooooo his buryin' groooooooooooooound"! (I note with pride that I am getting better at matching Séan's ability to hold out a note, but I still cannot sing in the same key that man does, and I'm still not convinced that mortal men are meant to sing in the Key of Séan. Attempting to do so, I suspect, will have the same dire portal-to-the-hot-place-opening consequences that trying to transcribe all the notes played by Bob's fiddle are rumored to have amongst the Murkjammers.)

  • Alan cracked a joke about playing a late afternoon/early evening gig in Vancouver, during the intro to "Consequence Free", and noted that this was going to leave them all time to do all sorts of things afterwards. Like look for libraries, as they were given to understand that Vancouver had a lot of them. Séan, it seems, has an incredibly long library card, and Mr. McCann's bemoaning that he was horribly overdue in Vancouver naturally served as a proper lead-in for a song about wanting no responsibilities!

  • Séan's introducing "I'm a Rover" by asking how many ladies in the audience had their rovers with them, and how many were rover-less. A far larger proportion of ladies seemed to be sans rover. Furthermore, Alan and Séan had an exchange in the intro I couldn't quite make out -- something which resulted in Séan saying, apparently quite straightfacedly, "This song's in 6/8!" I do have to wonder exactly what it was he couldn't say, that he said that instead. ;)

  • I also noticed during the song itself that the B'ys stuck in a few extra measures here and there between the verses; I think I saw Alan give Séan a funny look on the first instrumental bit, as if Séan had apparently played a measure too many, but they ran with it anyway.

  • Alan tried to see if the audience would actually recognize "Fast as I Can", when he talked about going back to a very early record for this one. Given how many of us started belting it out along with him, I don't think our ability to do that was ever in doubt!

  • "Jack Hinks" started off with Alan telling us this was going to be even more of an audience involvement song, and exhorting us, after he yelled "One, two", to answer with "One, two, three, four" and set the beat. As none of us were exactly inclined to say no to The Doyle, well, let's just say Jack had a nice ripping beat!

  • "Mari Mac" kicked in with the familiar E minor chord riffs, with more or less the same sly question Séan asks of the audience at the beginning of this song on Road Rage. Except that this time, he sang out "Mari Mac's mother's makin' Mari Mac marry me!" three times instead of once. I proudly sang along on the choruses as this is an especial favorite of the Murkjammers; Dara told us later she'd actually gotten her flute out to play along, back there on the blanket, and that she determined that we have, in fact, played it FASTER because she didn't have to do any of her cheats on her flute that she has to pull when we play the song too fast in jamming.

  • "Ordinary Day" had a lot more singalong mileage than I'm used to -- we got a whole chorus to ourselves, in the bridge.

  • Encore set #1, after the obligatory first round of the GREAT! BIG! SEA! chant: "Excursion Around the Bay", on which the key seemed to have a habit of creeping upwards in places I'm pretty sure the B'ys didn't intend for it to creep upwards, but well hey, these things seem to happen at live shows (heh), and something I didn't recognize, which was mostly instrumental but which had a couple of sung verses in the middle. Initially I thought it might have been one of the new ditties, "Tunes", but the folks on the OKP enlightened me that this was in fact something else new, called "Feller from Fortune".

  • Encore set #2: "Rant and Roar" (HURRAY!), though with a different arrangement of verses than what I'm used to, which was pretty cool, and "End of the World".


Once the second encore was done, one last diehard knot of fans kept up with bellowing GREAT! BIG! SEA! for a little while. I noted with interest that that particular knot of fans did in fact seem to be male -- pretty solid mix of genders in this particular audience in general.

Mary, Mimi and I pretty much all had the Bumbershoot Saga of Encounters with Alan and Darrell in mind, and thus unilaterally decided to see if we could find a place where one of the B'ys might appear for autograph purposes if we stood around and looked wistful long enough. There was in fact a suitable little opening in the fence off to the left side of the stage, and towards that we gravitated, hanging out for several minutes. A bunch of other people had the same idea though, and eventually I went over to make sure that Kathryn and Dara knew where we were, since they were still back with our blanket and the rest of our belongings.

The plan then shifted, to go around to the back side of this same little area. Mimi and Mary kept the closest vigil, while Dara and Kathryn and I hung back and discussed the various flavors of clefs that have evolved in music notation over the centuries, as well as Kathryn's recent tackling of the complicated singing rhythm of "Rocky Road to Dublin". (Side note on the local wildlife: while we were yakking, we noted a single lone seagull who was waddling along in someone's wake as if perhaps plotting to mug him and steal his Cheetos -- and off in the distance, a single lone black squirrel.)

Soon enough, though, a kid came running around the corner gushing that he'd gotten a signature on... something or other. It seemed that Alan had in fact appeared in the very place we'd just left! DOH!

So we went back around to where the kid had scored the autograph by handing an item to Alan through the fence. We could just spy him through the slats, wearing shades by this point and having, as near as I could tell, shucked the orange shirt. He was surrounded pretty deep by fans at that point, so it was all for the best that we didn't try to get back around to where there wasn't a fence between us.

Mimi did, however, get to slip her journal through the fence to him and he made a joke about feeling like we were in Sarajevo, passing stuff back and forth through fences. And he did a nice big autograph on a blank page of her journal, complete with smiley face. Now, though, having seen two examples of Actual Alan Autographs, I do have to wonder if the man was a doctor in a previous life, because I'm not sure what cryptic set of characters he's using to spell "Alan", but they bear no resemblance to letters with which I am familiar. This, apparently, is Yet Another Mystery of Great Big Sea! ;)

I was, however, too chicken to actually go up to the fence myself and say anything -- and at any rate, I hadn't brought anything to sign. Had I been a clever piper, I would have brought one of my CDs with me, but noooOOOOooo... next time, though! There WILL BE A NEXT TIME!

At any rate, with a collective warm post-GBS-ogling glow amongst us, we turned to the crucial question of where to find dinner. The verdict on this became the Prospect Point Cafe, which had the big advantage of being very close by, as it was actually within Stanley Park. Thereunto we adjourned. (Side note #2 about the Stanley Park wildlife: en route to our car, Dara and Mary and I spotted a quartet of raccoons crossing the road. Clever little buggers, too, paying attention to whether or not any vehicles were coming! And brave, crossing in broad daylight as well. They were very cute indeed.)

At the Cafe, we milled around a bit to admire the view -- which was spectacular. There is a whole heck of a lot of Pretty in Vancouver, and as Mary was armed with a camera to record her trip, she had to go take some pictures of the Pretty. We got more of a view of the Pretty as well, as we wound up eating outside on the deck. This was because the inside portion of the restaurant was (though we didn't really learn this until we were almost done with our meal) reserved for a huge incoming party and therefore pretty much full.

Our waiter was incredibly cool and helpful. Asked by Dara to bring a diet Coke with a lemon wedge in it (because Dara normally hates diet Coke but finds it drinkable with lemon), he brought all of us lemon wedges in our drinks and even a little saucer with extra lemon. He kept checking back with us to see if we needed things, and made funny expressions at us when we saw him coming our way with food and perked up hopefully... until he went right past us, looking apologetically our way, to the table whose occupants were the actual intended recipients of said food. He also told us that the big mountain we could see in the distance was Mount Baker.

Prospect Point Cafe service: two thumbs up! The salmon burger was pretty tasty, too.

While we were there, Mimi flipped through the little tourist information booklet she had acquired and made a Very Important Discovery: that there is an establishment in Vancouver called Cows, which bills itself as "Canada's Ice Cream". What convinced us that we did in fact have to go to this place for dessert was the ad with the cow on the motorcycle on it -- and thus, to that place, we chose to go for our dessert. Our cell phone issues had been worked out, so we split up to our vehicles, only to roll into...

Adventure #4: En route to Cows, we got the word from Kathryn that she had locked her keys in the trunk. DOH! So she and Mimi had to call Triple A to come and liberate their keys and asked us to get Mimi a shirt with the motorcycle-riding cow, if they proved to be still open when we got there.

At Cows, we discovered not only the shirt in question, but a whole host of cow-related merchandise in general. And tasty ice cream as well.

As it turned out, Kathryn and Mimi caught up with us comparatively quickly, bearing with them the tale of...

Adventure #5: Triple A had shown up incredibly quickly, and gotten Kathryn's keys out without any trouble at all. The following exchange occurred between Kathryn and the Triple A benefactor:

Kathryn: "I could kiss you!"

Triple A Guy, Handing Over Keys, Wryly: "Pucker up!"

However, shortly after this Kathryn and Mimi espied a guy on the side of the road, lying there rolling about and holding his head. They stopped to check on him and found that he was apparently homeless, probably somewhere in his sixties, probably drunk (Kathryn told us she'd smelled the cheap whiskey) and apparently having fallen and scraped up his face. They summoned help and made sure the guy got attended before they came and joined us, but even at Cows, Kathryn got a ring on her cell phone from the ambulance attendants who wanted to know if they were still in the area. Informed that she and Mimi were only visiting and were on their way back home that very night, he bid Kathryn a safe trip home.

Finally, though, with three of us having bought cow-related merchandise and all of us having bought ice cream, we got on the road at last.

Only for me to discover as our final little adventure of the night, when I finally made it home and in fact started typing up this very report, that we'd neglected to arrange to get Mimi dropped off back here at the Murkworks. And since Kathryn was just too darned tired to get her home tonight, she informed me via instant messenger that Mimi would crash at her place.

All in all, a very memorable day -- thanks not only to Great Big Sea, but Vancouver as well! A whole bunch of general Canadian niceness, all over the place. Gives an Amurkin girl a warm fuzzy feeling about visiting her northern neighbors, it does (and if you're reading this, Joey Payeur, let's just say that the probability of my eventual standing on Newfoundland soil in the heart of a crowd belting out the lyrics to "Rant and Roar" has just nudged itself up a little higher; if Newfoundlanders are anywhere near as nice as the denizens of Vancouver, I would be more than delighted to visit the Rock!)!

And I conclude, with great pleasure, that Great Big Sea has well and thoroughly established a fine tradition of warm and fuzzy feelings for this particular concertgoer!





Footnotes



  1. B'y: How you say "boy" with a Newfoundland accent, as demonstrated in the GBS ditty "I'se the B'y" on their very first album.
  2. The Great Big Gitch Toss: How the tossing of a pair of boxers onto the stage at the GBS show at Bumbershoot is going down in greatbigsea.com history! Short form of the story for those of you who are reading this on my web page: several members of my jamming group attended that show, and an unidentified female threw her bra onto the stage. GBS made jokes about 1) although they are a folk band, they appreciate underwear as much as anyone else, 2) the David Lee Roth show was elsewhere in the park, 3) the bra seemed just about Alan's size, and 4) nobody ever threw MEN'S underwear onto the stage. This last joke was taken as a direct challenge by Fred, one of the members of my jamming group, who promptly reached under his kilt, whipped off his boxers, and hurled them up onto the stage. There is actual Photographic Evidence of this!
  3. The Bob Effect: A strange phenemonon noted by the faithful fans of Great Big Sea, as documented at the web site maintained by the People Who Are Obsessed With Alan's Hair. Them's some wacky people. ;)
  4. The B'ys: Great Big Sea. See Footnote #1.

annathepiper: (Default)


As originally posted on the GreatBigSea.com message board


As I write this, I have come home tired and sweaty and achy and grinning like an idiot. I've just watched my second live Great Big Sea show, and can now say with distinct pleasure that the rush of excitement I felt when I heard they were going to play in Seattle on St. Patrick's Day has been thoroughly justified.

This is my first review of a Great Big Sea show as well, and I hope you folks bear with me if I ramble -- it's late, and I'm exhausted. But anyway, here goes!

It was an evening of firsts for me all around, and random cool observations.

The first overall one of these was that I know too damned little about the city I live in -- and this is after ten years of living here. After we got downtown and found parking, we passed an instrument shop called Lark in the Morning, which I'd actually heard of before because I'd run across references to them on the web, but I'd had ABSOLUTELY! NO! IDEA! that they were actually here in Seattle and downtown. We did stop for a moment and gawk lustfully into the shop window, and I in particular ogled an impressive-looking array of flutes, but sadly we didn't have the time to step in and browse since we had to meet everyone at the Brewery. (I do, however, absolutely intend to go back and check that place out post-haste.)

Similarly, I'd had no idea about the existence of the Pike Place Brewery. That turned out to be a fun experience, particularly as there were a bagpipe player and a drum player up one level above us and playing as we came in. Granted, bagpipes aren't exactly Irish, so one might wonder about hearing them on St. Paddy's Day -- but well hey, it sounded AWFULLY cool.

We gathered within, a dozen plus one strong by the time all of us arrived. A good percentage of the Murkworks jamming group (still more or less unnamed, though we have been debating the merits of Three Good Measures, The Brute Squad, and We Are Not Ready as monikers): me, Cyn, Kathryn, Fred, Monica, and Mimi. In addition, we had Kathryn's mate Erik; my long-time housemate Paul; our friend Regis and her sweetie visiting from Boston, Claudia (and who, I might add, both decided that "Boston and St. John's" is the ultimate Long Distance Relationship Song); Fred's brother Chris (who had just come from seeing his very FIRST Great Big Sea show in Portland last night) and Fred's roommate Ed (who, I discovered, plays the trumpet); and Monica's very pregnant close friend whose name has now just totally zipped right out of my head, and to whom I publically apologize via Monica who will no doubt read this. ;) (But again, I remind you, gentle readers, it's way late and I'm trying to get all of this out before I go fall into bed!)

Once within, we wiled away a good two hours with conversation and food. Two thumbs up to the Pike Place Brewery's salmon sandwiches. Yum. I announced my intention to try, for the very first time, a Guinness -- but as the Brewery did not actually HAVE Guinness, we had to settle for a stout. Which I did try, and found very bitter; I couldn't actually finish it. I am informed by Fred, who is far more knowledgeable about such things than I, that beer is an acquired taste; I don't appear to have acquired it yet.

We sent periodic scouts out to check the line or lack thereof in front of the Showbox, and by 7pm, we were ready to go join the gathering hordes.

We wound up sort of spread out through the line, and separated as well since one of the Showbox bouncers came out and informed us that they needed to keep the doors and the sidewalks clear. So Mimi and Cyn and I wound up close to the front of the line, and hanging out and yakking there. There was a chick in front of us with a candy apple coated in caramel and white chocolate and cookie bits, and she started handing pieces of it out to folks behind her, because she couldn't eat it all. Two thumbs up on THAT, too!

Mimi sat down on the concrete by the wall, and shortly thereafter Cyn and I joined her. Thinking I'd start taking notes for this very review, I whipped out my handheld computer and started trying to write up a few lines. And I should say, just because Mimi announced that I should record this for posterity, that she determined that sitting on cold concrete did yea and verily make her bottom cold. I did not, however, get to actually record that timeless bit of discovery into my handheld, for I got distracted as the three of us more or less impromptu decided to belt out "Consequence Free", just because we could, and because it seemed to us that it'd be extremely cool if we could actually jam while in line. But as I was the only one with an actual instrument on me (I never go anywhere without at least one flute in my backpack), we stuck to singing a capella instead, and I do note with pride that we kept on key and remembered all the words!

Sadly, we got absolutely no applause, though I did notice that the yakking around us did die down a bit as we were singing. ;) Plus, it also made the aforementioned candy-apple-distributing chick observe, "It's a filk convention!"

Which made me start and look up and blurt, "You're a filker? Cool!" And we promptly launched into a conversation about various filk conventions -- and I apparently stunned her by telling her that not only had I been to the Ohio Valley Filk Fest, I'd attended the one where Tom Smith and others had performed Tom's marvelous creation, the Rocky Horror Muppet Show. She also yakked with Mimi and Cyn about theater and art and how this was going to be her very first Great Big Sea show because her workplace kept sending her hither and yon and making her miss previous shows by about <> this much. She recognized the name of Heather Alexander and merrily related the tale of Heather and 300 cranky filkers belting out "The March of Cambreadth" in a hotel lobby, which was delightful to hear. And she told me her name was Seanan McGuire, that she runs the music for Consonance down in California, and that we should come to said convention next year. We observed that by then, perhaps we'd actually sound good!

Oh, and I should mention that she also informed me that "Boston and St. John's" scanned alarmingly well to a tune that has also just now zipped right out of my head at this late hour. But I can still clearly relate that I retaliated by trying to see how well "Boston and St. John's" scans to "Alice's Restaurant". For those of you not familiar with filkers, it is long-standing wisdom amongst them that every song on the planet scans to that particular ditty, and I have yet to really find one that can't, though I think "Boston and St. John's" will have to be tweaked some to make it work. ;)

Aaaaaanyway, they opened up the doors at 8pm, separating those of us who held actual tickets in our actual hands from those who needed to be in the Will Call line, and in we went. Fred had already enthused at us about the dance area being right smack dab in front of the stage, but still it was very fine to come in and see all that lovely wide open space in front of the four standing microphones. Our group scarfed up several tables towards the back which still afforded a decent view, and several of us who were willing to watch over various personal belongings took up residence there while the rest of us scampered up to the stage to wait for the show to start. I had to take a brief detour, however, when Paul asked me to stuff a freshly purchased Great Big Sea sweatshirt into my backpack -- and I was like, "Whoa! They're selling stuff? Where?!" Feeling a vital need to acquire a piece of clothing with the name of our B'ys inscribed thereupon, I ran off to do that very thing, and am now the proud owner of a nice large green T-shirt.

Up by the stage, I got handed an actual Guinness, which I report that I did in fact like better than the stout at the Brewery, and I did in fact finish it all. But I'm still not convinced I'm a beer person. ;)

We realized that the Casey Neill Trio would not in fact perform, as there was pretty much no mention of them anywhere on the billing or the posters hung up or anything. Plus, we saw the B'ys' set list right in front of the microphones, and the instruments lying out in wait did seem rather like the ones they'd play. Mimi pointed out three, count 'em, THREE, accordians lined up and waiting (as it turned out) for Bob.

Monica scarfed a chair for her very pregnant friend to sit upon right in front of the stage, and the rest of us clustered around her so that she could get a decent view -- and so could we. We yakked some with one another, and with folks surrounding us in the crowd. Fred grabbed my attention and pointed out another OKP'er (whose name I also have dropped, but if you're reading this, HI! :) ). Somebody standing near us had a positively swoonable Irish accent. And at least two rounds of a "GREAT! BIG! SEA!" chant started up before the B'ys finally came out and we all went nuts.

Opening song: "The Chemical Worker's Song". I tried to sing harmony, but under no circumstances, I discovered, was I going to be able to hear myself. When you're screaming at the top of your lungs while trying to sing along with the fellow on stage, you're doing well to keep to what he is singing. ;) Still, though, it was extremely cool to hear that one done live.

I am not going to try to put these songs in order, as I can't remember the proper order at this point, but here's what was sung:


  • "The Chemical Worker's Song"

  • "Billy Peddle"

  • "Jolly Butcher" -- Which, I might add, Alan noted was a "special request", though he didn't say of whom. He also claimed it'd been a while since they had done this one live and that he might not remember all of the words, but it looked like to me that he was remembering them just fine! Still, he had us singing along on the choruses anyway.

  • "Ordinary Day"

  • "When I'm Up"

  • "End of the World" -- Also extremely cool to hear this live, though the crowd had absolutely no chance of actually singing along with ALL of those lyrics!

  • "Fast as I Can" -- I alternated between watching Alan and watching Bob on the whistle on this one. (Yes, Gracie, I got in extra ogles just for you. ;) ) I already sort of knew the whistle parts to this one on the flute, though it was very nice to hear it up close. And I had NO idea that whistles could come that large.

  • "Goin' Up" -- Performed with Alan making jokes beforehand about us all being thankful that we had absolutely no earthquakes happening, and how in general it was extremely fine to have St. Paddy's Day on a Saturday, and how we should remember this in October on a non-St.-Paddy's-Day Saturday "when earthquakes are everywhere". Got us going on the call and response bits you hear on Road Rage. Yay!

  • "Lukey" -- WHOO HOO! :) Tried to sing harmony on this one as well, but once again discovered that that was just not happening when you could barely hear yourself think, much less sing. But after having recently seen the lovely Fire in the Kitchen version of this, I was all over hearing this live.

  • "Old Black Rum" -- Prefaced with Alan's public service announcement that as they four were such models of restraint ("cough* *snicker* *grin*) it was their duty to sing us an anti-drinking song.

  • "Little Beggarman" -- Belted out by Darrell and quite nicely. Though more melodically than I am used to, and in fact a lot more similar to how Kathryn in our jamming group sings it.

  • "Consequence Free"

  • "Jack Hinks" -- Played with a longer instrumental intro, starting with the bass laying down a few simple beats, and bringing in the other instruments to start setting the beat. I wasn't quite sure exactly what they were actually going to play until the melody line kicked in; for a bit there I thought it was going to be "Lukey". But it was pretty fun hearing a more rocking version of this one!

  • "Boston and St. John's" -- Introduced by Alan saying it was about time for a sappy love song. ;)

  • "Everything Shines" -- We were all singing with this one, of course, but I don't know the words well enough yet to properly belt it out. Dang!

  • Two instrumentals I didn't recognize. These must be the new pieces? Very, VERY cool!

  • The ditty about the canary -- which I also don't know well enough, and I don't even know the title yet. But I know it's been mentioned here, so you long-time vets probably know what song I'm talking about. ;)

  • "Excursion Around the Bay" -- The obligatory encore. Also belted out by Darrell, of course, with thunderous resounding "HEY"s from the crowd as was right and proper.


I THINK that's the lot of them, but if I'm missing anything OKPer's more alert than I can fill in the blanks, I'm sure!

You'll notice that all of the above songs were ones on which Alan (or Darrell) sang lead. We didn't get "Mari-Mac" (though a good portion of the crowd kept yelling for it), "General Taylor", "The Night Pat Murphy Died", or "I'm a Rover", all of which had been performed at Chateau Ste. Michelle. This was apparently because Sean McCann was feeling poorly. He kept to the bodhran and his other instruments, and though he looked pretty tired throughout the set, he played like a trooper. (Well done, Sean! Take it easy, now!)

Our herd was positioned at, as Monica describes it, Stage Bob. So we got very good looks at Bob doing his thing on the whistle and the accordion and the fiddle, and some great up-close looks at Sean banging away on the bodhran as well. Darrell was at the opposite end of the stage, and Alan was pretty much all over the place -- being, well, the perky Mr. Doyle we all know and love.

For the aforementioned encore, we noted with amusement that the obligatory "GREAT! BIG! SEA!" chant was in fact being done as a round, as half the crowd was a beat ahead of the other half.

And at the end of it all I was very, VERY overheated. My feathers were falling out of my hair, and I desperately needed water, so I staggered off happily back towards our tables.

Commence more yakking and much consumption of water, and rearrangement of assorted Murkworks denizens and Murkworks friends, as we had lots more people than we did actual chairs to sit 'em in.

Then the Paperboys came on. I don't know their material even a quarter as well as I do Great Big Sea's, but I recognized several ditties off their current album, Postcards, as well as their previous one, Molinos.

And I cannot complete this review without noting that there I was, gulping down water and cheerfully watching the band on the stage, standing right behind Monica's pregnant friend. I happened to turn and look to the left and--

BOOM! ALAN DOYLE! RIGHT THERE!

Kathryn tells me that the look on my face was, quote, "indescribable and priceless", unquote. She also tells me that if she had had to translate that look into actual sound, it would have come out something like "Guh? Gluh? Bibble?"

It seems that our Monica, who has much more sensitive radar than I do, had espied Mr. Doyle en route to the bar and had summoned the courage to corner him by telling him he had to come say hi to the Youngest Great Big Sea fan, so over he came to greet her very pregnant friend. Which he did, demonstrating general overall class. :)

I managed to reconnect my brain and my tongue and blurt out, "Before you get out of earshot, I just want to say your band is responsible for us becoming musicians! Thank you!"

And he promptly looked aghast and observed that he wasn't sure if he should apologize or not, and noted we should be careful about that. Demonstrating overall impish humor. ;)

Off he went, then, and I was rather concerned about my knees for a moment as I did in fact wobble a bit there where I was standing. Kathryn helpfully kept me upright, while the rest of the group engaged in much giggling and inquiring of me whether I needed to sit down. I eyed Kathryn and demanded to know, "You're not going to let me live this down, are you?"

"Nope!" was her cheerful reply, though she did also point out that if she could keep attention focused on MY reaction, it'd divert people from HERS. She also congratulated me soundly on not sounding like a blithering fangirl.

Cyn also cornered Alan and yakked with him for a bit, and came back to report that he apparently didn't know what a contralto was. And that she said that this basically means she sings Darrell's parts. She, too, was pretty much grinning like an idiot at this point as well.

After that it was a little hard to keep my attention on the band up there on the stage, but it helped immensely that the Paperboys put on one hell of a show. I am now in awe of their fiddle player and their flute player as well, and lusting after the instrument of the latter. Maybe Lark in the Morning'll help me out with that, hey?

Though Mimi left early, the rest of us held out through the first of the encores. As they were starting their second encore we did decide to scram, and so we all staggered out into the night to the strains of the aforementioned flute player, splitting off to our various cars.

"I can't IMAGINE," Kathryn drawled to me en route to her and Erik's car, "what the highlight of your notes about tonight on the chat board is going to be!"

She's right. But hey, there's something to be said for reliability. ;)

You did good, B'ys! Bob, you look stylin' in black. Darrell -- I love the bass line you play on "Lukey". Sean, again, take it easy and rest up! Next time you guys come back to Seattle -- and I can actually come see you -- I hope to hear those fantastic pipes of yours belting out "General Taylor" and "Mari-Mac". And Alan -- yeah, this Seattle fan, at least, will be carrying the memory of tonight clear on in to October, full of non-St.-Patrick's-Day Saturdays, but hopefully sans earthquakes. Since I will not be able to attend the Bumbershoot show on 9/2, being able to actually exchange a word or two with you will make up for that quite, quite nicely.

I'm going to post this -- and go fall into bed. Good night, all, and Happy Post St. Paddy's Day!

Anna the Extremely Tired But Extremely Delighted Piper



Finished at 2:15am






Addendum 3/18/01 5:17pm


For purposes of posting this on my personal web page, I'm adding in a few corrections here, courtesy of Monica and other members of the Online Kitchen Party chat board. I also added notes up above for "Jack Hinks" and "Boston and St. John's".

Monica's very pregnant friend's name was Kerry. I knew it was something like Carrie or Karen, so at this point I'm glad I didn't have to try to remember that because I would have gotten the spelling wrong anyway. And I missed one of the songs -- "Molly Malone", which was not actually on the set list, and which I also had never heard before. So when Alan got us all singing on the choruses, I had to more or less fake my way through it.

Other OKPer's filled in for review purposes what the B'ys were wearing, which is worthy of note here as well. Bob was primarily in black, except that his shirt had red fireballs along the bottom of it. Darrell had on a grey shirt and black jeans. Alan had a black shirt, and I believe some sort of necklace on as well, and blue jeans. Sean had on this sort of plum-colored shirt and jeans too. All of them looked pretty understated garb-wise, except for those flaming fireballs on Bob's shirt. ;)

Other random bits and pieces I also want to record here include:


  • Fred's brother Chris rhapsodizing about "Billy Peddle", which our group agreed in general is a mighty fine song.

  • Alan spilling his drink when drinks were brought out to the band on stage, and Monica hollering out something teasing to him.

  • Mimi peering over the edge of the stage at the set list by (I believe) Sean's mike, and asking me what the various abbreviations on the list most likely referred to.

  • Conspiracy for the Murkjammers to cry "FISH" at the bridge of "Jolly Butcher". Which I did not in fact do, but I was grooving quite heavily upon hearing Bob sawing away on "Salmon Tails Up the Water". It was also cool to observe that Bob had a black fiddle with a cord coming out of it -- presumably electric.

  • As Monica wrote about in her own review, it was very fun for those of us right in front of Bob to scream out cheers for him and see him look rather startled.

  • At the beginning of GBS's set, Sean's bodhran wasn't loud enough, but then they stuck a mike in it and that helped out lots.

  • After the show, Erik observed with some surprise that for an opening act, GBS got an amazing reception from the crowd. Clearly, the crowd was full of fans. *beam*

  • Kathryn told me I looked gorgeous. *blush* It was nice to know that my blue-and-green-and-black velvet cap, the feathers in my hair, my new haircut, and the poofy-black-sleeved-and-green-bodiced shirt I had on all worked well together. ;) Kathryn looked quite stylin' in her green velvet blouse, too, I might add.

  • Alan made some very cute jokes about shameless pandering to the ladies in the audience for purposes of getting cheap applause -- which naturally delighted every female on the floor. As if Alan needs to work very hard to get us to cheer. ;) He also did the obligatory shameless self-promotion for Road Rage.

  • The Paperboys did a cover of, of all things, "Sexual Healing"! And I had no idea what they were playing till after they were done, but they did it very well!

  • The OKP'er mentioned above who spoke to me in the audience was Fran, who helpfully identified herself to me on the chat board and who reminded me that she thought I didn't sound like a Kentuckian in the slightest.

  • Cyn helpfully reminds me that the song to which "Boston and St. John's" scans alarmingly well is "Horse With No Name".


It's official... I am well and thoroughly hooked on Great Big Sea shows. Next show of theirs after Bumbershoot within driving distance, I'm THERE!
annathepiper: (Default)
My first exposure to Great Big Sea sort of came in stages.

A few years back my household was having a yard sale, and one of my housemates was playing the album I later identified as Rant and Roar. I remember at the time really loving the sound of the harmony of the singers on that album, though I didn't think much of it afterwards.

Summer of 2000 rolled around, and I got myself a gift certificate from amazon.com. I decided to blow it on CDs rather than books since I have more than enough to read to keep me occupied -- and one of my friends recommended Great Big Sea to me, knowing I like Celtic-flavored music. In the process of researching the album options up on amazon.com, I came across the web site link of GreatBigSea.com, so naturally I had to go check it out...

Immediate reaction: "WOW! That guy with the long brown hair is a BABE!"

Slightly less immediate reaction #1, after playing the sample clips from Turn, and specifically "Ferryland Sealer": "Okay, that song is cool..."

Slightly less immediate reaction #2, after playing the sample clips from Rant and Roar about ten million times: "Okay, it's official, I need this album!"

I wound up ordering Turn from amazon.com, and raiding local record stores in search of Rant and Roar.

You can imagine my delight when I discovered that the B'ys would be coming to my area to perform live -- and with great anticipation I scampered off to Chateau Ste. Michelle for their show on September 2, 2000.

Reaction #1: "GREAT HOLY HEAVEN, Alan's even more of a babe LIVE!"

Reaction #2: "Whoa, hey, wait a minute, Alan and Sean divvy up the songs?! WOW! Sean does 'Mari Mac' and 'General Taylor' and 'The Night That Paddy Murphy Died'?! ACK! Now I'm not sure whether I like Alan's or Sean's voice better!"

I'd never been to a concert where I absolutely HAD to be right up there by the stage for the whole set. Great Big Sea was a first for me in that regard, and they kept me dancing the whole time. Especially when the crowd rushed the stage on "Excursion Around the Bay", and I got right up at the edge of the stage, from which vantage point I was able to get quite the eyeful of the B'ys along with a mighty earful of what they were belting out.

Two months and a new live album later, I still haven't decided whether I like Alan's voice or Sean's voice better. Clearly, they're going to have to come back to the Pacific Northwest and give me another shot at figuring this out. ;)

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