Jan. 10th, 2012

annathepiper: (Book Geek)

Moving Target

My rating: 4 of 5 stars

Moving Target, the first of her Rarities Unlimited series, is perhaps my favorite of all of Elizabeth Lowell’s books. Not because she does anything hugely different in this book that she does from the rest of them, mind you–but more because she happens in this one to mix all of her plot and character ingredients into the exact right recipe to suit my personal tastes.

Serena Charters inherits an ancient manuscript when her grandmother is murdered. Like you do in these sorts of plots, soon discovers that she’s the latest in a long descent of women, all of whom have the name Serena, charged to guard this manuscript and keep it safe and secret. And when there’s an ongoing plot to keep something secret, there are naturally those who are out to get their hands on it. In this case, there’s a wealthy patriarch desperate to lay his hands on the Book of the Learned, no matter what it takes.

Meanwhile Erik North, our hero, is a manuscript appraiser employed by Rarities Unlimited. Erik too has been seeking the Book of the Learned for his own reasons, and, again like you do in these sorts of plots, soon enough teams up with Serena to find and protect it.

And hands down, Serena and Erik are the two big draws for me in this book. I like the female-focused backstory for Serena’s family. I like her grandmother. I like the history of the original Serena, and the scrap of mysterious cloth that’s all that remains of a dress she wove, adding a very light hint of the paranormal to an otherwise prosaic romantic suspense setup. Just as importantly, I like Erik–he’s confident, competent, has his personal form of art he likes to express, and comes across very well as an equal to Serena rather than someone in a greater position of power than her. As for the other characters, the antagonists are suitably threatening without being ridiculous or over the top, while the supporting characters at Rarities are reasonably entertaining.

All in all a fun read. I’d definitely recommend this one as the first one to hit for anyone interested in reading an Elizabeth Lowell book. Four stars.

Mirrored from annathepiper.org.

annathepiper: (Castle and Beckett and Book)

Unveiled (Turner, #1)

My rating: 4 of 5 stars

(Note: I’m posting this review out of order because my next 2012 Book Log post is book 2 of this same series–and I didn’t want to post the review of the second before I posted the review of the first!)

I come to Courtney Milan courtesy of the fine ladies of Smart Bitches Trashy Books, and while I’m not always aligned with their tastes, I have got to back ‘em up on Milan’s Turner series. Here’s the thing about my reading romance novels–there are certain tropes in them that drive me spare, and are among the main reasons I steer clear of most contemporaries. I favor historicals and romantic suspense, on the grounds that they’re less likely to display the tropes that drive me most spare, even as I’m very aware that those particular romance subgenres also have their own issues.

I’m not a history geek, so I couldn’t dissect for you whether Milan’s depiction of her chosen period is historically accurate. But I can tell you that she pulled off a story that, for me, beautifully balanced a historically accurate feel with character sensibilities more appealing to modern readers. In my reading experience to date, that’s hard. Better yet, she skillfully subverted two of the biggest tropes I hate in many romances: having such a huge deal made over the heroine being a virgin, and the Big Misunderstanding that far too often provides “conflict” between the leads, the sort of conflict that can be solved in five minutes if they just talk to each other like adults.

And happily, she does all this in a tasty little scenario of political and familial intrigue. Ash Turner, our hero, has proven that the Duke of Parford is a bigamist, therefore destroying the legitimacy of his heirs, and opening the way for himself to take over as the rightful heir to the dukedom. But the Duke and his sons are having NONE OF THIS, and they’ve set the ailing Duke’s daughter Margaret up to masquerade as his nurse–putting her into an excellent position to spy on the incoming new Duke and find anything, any flaw in his character or vulnerability in his history, that can ruin him in the eyes of Parliament so that they can take back their estate.

Naturally, our heroine finds Ash Turner dangerously appealing. And has to soon choose between him and her own family.

Margaret was awesome, and it is through her that Milan subverted those aforementioned tropes so beautifully. I’m not going to spell out how, so that I can avoid spoilers, but suffice to say that as aspects of her history were explored and Ash’s responses to them were shown, I liked both characters immensely.

Mad, mad props as well to the inevitable vulnerability that Margaret discovers in Ash, another thing I won’t spell out so as to avoid spoilers. But I will say that it’s an aspect of him that is a source of genuine past strife between him and his brothers, and which genuinely made my heart go out to the poor guy.

Last but not least, how the eventual resolution of Margaret having to choose between Ash and her father and brothers–and how Ash must choose between Margaret and his own desire for revenge against her father–worked out beautifully.

All in all, great fun. I had some minor questions of plausibility here and there, but nothing serious to get in the way of enjoying the story. Four stars.

Mirrored from annathepiper.org.

annathepiper: (Beckett and Book)

Unclaimed (Turner, #2)

My rating: 4 of 5 stars

It’s a romance staple to do a series of interconnected books all featuring siblings in the same family, or employees of the same agency, or what have you. Courtney Milan’s Turner series is no exception. And happily, Unclaimed, the second book in the series, turned out to be just as much fun for me as the first.

Book 1 was the story of Ash, the oldest of the three brothers; Book 2 picks up with his younger brother Mark. Mark’s an example of Milan cheerfully subverting another romance trope–because here, it’s Mark, not the heroine of the novel, who’s the one without sexual experience. This is by no means not Mark’s only defining trait, but it’s an important one that sets the course for the entire plot.

Mr. Turner–or rather, I should say, Sir Mark Turner, because the Queen has knighted him for his service to the nation’s morality–has written a treatise, the Gentlemen’s Practical Guide to Chastity. In her intro to the novel, Milan talks about how she wanted to write about a character with a rock star’s level of fame, but since she’s a writer of historicals, she had to figure out how to work it into the book in a period-appropriate fashion. Hence, Sir Mark’s Guide!

Exactly how berserk England goes over his work is one of the somewhat sillier things about the novel, but in the context of the story I was willing to go along with it. Why Mark wrote it and how he reacts to the scores of young men (and older women towing their young daughters) who fawn over him are hugely important aspects of his character. And I’ve got to say, I found his resolve to remain chaste until he finds the exact right woman for him refreshing and charming, especially after all the reading of urban fantasy and paranormal romance I’ve done for the last several years.

Set off in strong contrast to Mark is our heroine, Jessica, a courtesan who’s been paid to seduce him and ruin him in the eyes of the public. And as with Book 1, Jessica finds out fast that she genuinely likes Mark, and it doesn’t take her long at all to back away hard from the idea of causing his public downfall.

There’s all sorts of stuff that could be said here about the roles of gender and sexuality in this situation. And the book does, in fact, say them. Happily, it does so in a way that came across to me as natural for the characters and their interactions, without ever getting preachy. Mark calls out the hypocrisy of society’s encouraging men to express their lusts, or at any rate not punishing them for it, while holding women to far stricter standards. An oh-so-modern and enlightened attitude for a man in the 1830′s? Sure. But as put forth by Mark, it’s sincere and believable. It helps a lot as well that Jessica has a great deal of agency as the plot progresses, especially in the final third of the story. And it helps, too, that there’s a reasonably small amount of angst and drama as Jessica’s initial goal is inevitably revealed.

As with Book 1, I had some minor quibbles with plausibility–but only minor ones. And I’m eagerly heading on to read Book 3! Four stars.

Mirrored from annathepiper.org.

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